Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
The Renaissance Cartoons of the Accademia Albertina
Skira
Edited by Paola Gribaudo.
English Text.
Milano, 2021; bound, pp. 160, 128 col. ill., cm 24x31.
ISBN: 88-572-4475-X - EAN13: 9788857244754
Subject: Collections,Graphic Arts (Prints, Drawings, Engravings, Miniatures)
Period: 1400-1800 (XV-XVIII) Renaissance
Languages:
Weight: 1.048 kg
It consists of a collection of fifty-nine preparatory drawings, some quite large, which mainly relate to important paintings by Gaudenzio Ferrari, Bernadino Lanino, Gerolamo Giovenone, and Giuseppe Giovenone the Younger. This is a unique collection of cartoons that has been preserved for centuries despite its fragility, and that enables us to enter the workshops of the 16th century to find out about art education in the Renaissance, before the birth of modern Academies of Fine Arts.
The book includes an historical essay by Giovanni Testori and previously unpublished essays by Andreina Griseri and Simone Baiocco. It offers the reader a feast of beauty, with large photographs of all the 59 drawings, printed in high resolution for the first time.










