Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
|
Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Parergon. Japanese Art of the 1980s and 1990s
Skira
Edited by Mika Yoshitake.
English Text.
Milano, 2020; hardback, pp. 224, 150 col. ill., cm 21x28.
ISBN: 88-572-4243-9 - EAN13: 9788857242439
Subject: Monographs (Painting and Drawing),Monographs (Sculpture and Decorative Arts),Painting,Photography,Sculpture
Period: 1960- Contemporary Period
Languages:
Weight: 0.79 kg
Focusing on themes of retro-futurism, noir, satire and simulation, Parergon presents the work of over 25 Japanese visual artists who were making vital work throughout the 1980s and 1990s-including EYE, Kenjiro Okazaki, Mariko Mori, Kodai Nakahara, Masato Nakamura, Yukinori Yanagi, Kenji Yanobe and Tadanori Yokoo-whose work features mediums spanning painting, sculpture, performance, noise, video and photography.
The title makes reference to the gallery in Tokyo (Gallery Parergon, 1981-87) that introduced many artists associated with the Japanese New Wave of the 1980s, its name attributed to Jacques Derrida's essay from 1978, which famously interrogated the "framework" of art.
Parergon brings together some of the most enigmatic works that were first generated during a rich two-decade period that is pivotal to the way we perceive and understand contemporary Japanese art today.










