Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Peter Schuyff. Works on paper 1984-2018
Skira
English Text.
Milano, 2020; paperback, pp. 128, 75 col. ill., cm 20x26.
ISBN: 88-572-4104-1 - EAN13: 9788857241043
Subject: Graphic Arts (Prints, Drawings, Engravings, Miniatures),Monographs (Painting and Drawing)
Period: 1960- Contemporary Period
Languages:
Weight: 0.5 kg
"Peter Schuyff is a fascinating little bastard and he presents a good opportunity for thinking about painting.
Painting is personal. There are no ultimate truths about it. Much of the most perceptive writing about painting, especially new painting, in the last 200 years has been produced by poets-Baudelaire, Rilke, Apollinaire, Ashbery, Ricard-rather than trained "experts" because what there is that's interesting to say about it is best accessible via the language skills and sophistication and sensitivity to subtleties of perception and consciousness cultivated by poets. I am not a poet, but I almost am, and I claim legitimacy as an art writer by the same token: nobody knows what is interesting in art except the person who can persuade you they do." - Richard Hell










