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DEAL OF THE DAY

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

cover price: € 160.00

Felice Palma. Massa 1583-1625. Collezione / Collection.

Total price: € 160.00 € 314.49 add to cart carrello

Books included in the offer:

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

FREE (cover price: € 160.00)

Felice Palma. Massa 1583-1625. Collezione / Collection.

Le botteghe del marmo

Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).

FREE (cover price: € 34.49)

Le botteghe del marmo

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).

FREE (cover price: € 30.00)

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Bronzetti e Rilievi dal XV al XVIII Secolo

Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.

FREE (cover price: € 90.00)

Bronzetti e Rilievi dal XV al XVIII Secolo

chiudi

Kour Pour.

Skira

Edited by Marta Gnyp.
English Text.
Milano, 2019; hardback, pp. 127, col. ill., cm 21x27.

ISBN: 88-572-4063-0 - EAN13: 9788857240633

Subject: Monographs (Painting and Drawing),Textiles (Tapestries, Carpets, Embroyderies)

Period: 1960- Contemporary Period

Languages:  english text  

Weight: 0.79 kg


Kour Pour presents for the first time a concentrated look at Kour Pour's artistic output from 2009-2019.

Working primarily with painting and printmaking, the artist is known for producing vivid and decorative canvases that are built up in many layers and the result of detailed hand painting, silkscreen printing, and sanding. Concurrently, Pour has produced large-scale, hand-carved woodblock and linocut paintings that are also presented in this publication.

The artist draws from a wide range of source material such as Oriental carpets, Persian miniature paintings, Japanese ukiyo-e prints to geological maps and package design from around the world. In each series of paintings, these images are treated in various manners. Some works appear as straightforward or slightly altered reproductions. Other times Pour creates works by combining multiple sources into single compositions. The artist also crops, fragments, and abstracts to create new interpretations of familiar cultural imagery.

Stylistically the paintings move from one formal discipline to another: from highly patterned and decorative canvases to minimalist geometric surfaces and color field painting. It is within the multiplicity of works that certain themes recur such as the role of originality and appropriation within cultural exchange, to the way that identity can affect how art is viewed and valued. The ecstatic energy found throughout Pour's practice is in part the product of the artist's biography, as well as the movement of people, objects and images that takes place through travel and technology in 21st-century cosmopolitan life.

Kour Pour (b. Exeter, England 1987) currently lives and works in Los Angeles, California, United States. He received a B.F.A. from the Otis College of Art and Design in Los Angeles, CA. in 2010.

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