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DEAL OF THE DAY

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.

cover price: € 80.00

Beato Angelico

Total price: € 80.00 € 189.00 add to cart carrello

Books included in the offer:

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.

FREE (cover price: € 80.00)

Beato Angelico

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Ospedaletto, 2007; bound, pp. 320, col. ill., col. plates, cm 25,5x29.

FREE (cover price: € 77.00)

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Segni dell'Eucarestia

Edited by M. Luisa Polichetti.
Ancona, Osimo, Loreto Jesi, Senigallia, Fabriano e Metelica, 23 giugno - 31 ottobre 2011.
Torino, 2011; paperback, pp. 221, b/w and col. ill., cm 24x28.

FREE (cover price: € 32.00)

Segni dell'Eucarestia

chiudi

Golda and Meyer Marks. Cobra Collection. NSU Art Museum Fort Lauderdale

Skira

Fort Lauderdale, Nsu Art Museum, July 9 - September 10, 2017.
English Text.
Milano, 2018; paperback, pp. 208, 161 col. ill., cm 17x24,5.

ISBN: 88-572-3635-8 - EAN13: 9788857236353

Subject: Collections,Painting

Period: 1800-1960 (XIX-XX) Modern Period

Places: Out of Europe

Languages:  english text  

Weight: 0.5 kg


Golda and Meyer Marks had an insatiable passion for CoBrA, the avant-garde post-World War II art movement named for the primary cities of its origin: Copenhagen, Brussels and Amsterdam. The adventuresome couple, long-time residents of Miami Beach, Florida, put together an extensive collection and assembled an archive with an eye to establishing the NSU Art Museum Fort Lauderdale as the centre for the exhibition and study of CoBrA art in America. They embarked on their journey in 1962, made their first gift to the museum in 1978, and by 1989 had donated more than 1,500 works, the largest representation of this art movement in the United States.
This monograph, published on the occasion of the 60th anniversary of the museum's founding, is the first comprehensive publication of the Marks collection and includes essays by many notable CoBrA experts and the couple's daughter Linda Nathan Marks.

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