Giorgio De Chirico. Il volto della metafisica.
Genova, Palazzo Ducale, March 29 - July 7, 2019.
Edited by Noel-Johnson V.
Milano, 2019; bound, pp. 246, col. ill., cm 24x29.
(Arte Moderna. Cataloghi).
cover price: € n.d.
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Books included in the offer:
Giorgio De Chirico. Il volto della metafisica.
Genova, Palazzo Ducale, March 29 - July 7, 2019.
Edited by Noel-Johnson V.
Milano, 2019; bound, pp. 246, col. ill., cm 24x29.
(Arte Moderna. Cataloghi).
FREE (cover price: € n.d.)
Giorgio de Chirico. Nulla Sine Tragoedia Gloria
Atti del Convegno Internazionale di Studi - Auditorium Dell'Iri, Roma, October 15 - October 16, 1999.
Edited by Claudio Crescentini and Crescentini C.
Co-Editore: Associazione Culturale Shakespeare and Company 2.
Montecatini Terme, 2002; paperback, pp. 504, 188 b/w ill., 21 col. plates, cm 21x30.
(Shakespeare and Company. 2).
FREE (cover price: € 75.00)
Mutazioni. Segni e sogni del XX secolo. Da de Chirico a de Maria
Gavirate, Chiostro di Voltorre, February 23 - April 27, 2003.
Milano, 2003; paperback, pp. 108, ill., tavv., cm 16x22,5.
(Biblioteca d'Arte).
FREE (cover price: € 18.00)
Georges Rouault, Giorgio De Chirico
Mosummano Terme, Villa Renatico Martini, November 23, 2003 - February 15, 2004.
Lyon, La Spirale, October 4 - October 31, 2004.
Edited by Cassinelli P., Giori M. and Viggiano D.
Italian and French Text.
Ospedaletto, 2004; paperback, pp. 150, b/w ill., b/w plates, cm 17x24.
FREE (cover price: € 13.00)
Signac. Reflections on Water
Skira
Lausanne, Fondation de l'Hermitage, January 29 - May 22, 2016.
English Text.
Milano, 2016; paperback, pp. 184, 150 col. ill., cm 24x29.
Other editions available: French edition 88-572-3098 Edizione italiana 88-572-3099
ISBN: 88-572-3403-7 - EAN13: 9788857234038
Subject: Monographs (Painting and Drawing)
Period: 1800-1960 (XIX-XX) Modern Period
Languages:
Weight: 1.04 kg
The virtuosity of the Neo-Impressionist master is also reflected in the diverse techniques he used: the ardour of Signac's Impressionist debut is set off against the limpid polychromies of the Divisionist paintings, the daring Japonisme of his watercolours contrasts with the freedom of the works painted en plein air, while his large Indian ink studies reveal the secrets of calm compositions, at length contemplated in his studio.










