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DEAL OF THE DAY

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Perugia, Galleria Nazionale dell'Umbria, March 4 - June 11, 2023.
Edited by Picchiarelli V. and Pierini M.
Milano, 2023; bound, pp. 592, 650 col. ill., cm 24x21.

cover price: € 40.00

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Total price: € 40.00 € 249.90 add to cart carrello

Books included in the offer:

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Perugia, Galleria Nazionale dell'Umbria, March 4 - June 11, 2023.
Edited by Picchiarelli V. and Pierini M.
Milano, 2023; bound, pp. 592, 650 col. ill., cm 24x21.

FREE (cover price: € 40.00)

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Michele Rocca e la pittura rococo a Roma

Brescia, 2004; bound in a case, pp. 310, b/w and col. ill., tavv., cm 24,5x31,5.

FREE (cover price: € 180.00)

Michele Rocca e la pittura rococo a Roma

Cucinare per gli amici

Translation by S. Mancuso.
Milano, 2012; clothbound, pp. 269, ill., cm 21x26,5.
(Gli Illustrati).

FREE (cover price: € 29.90)

Cucinare per gli amici

chiudi

Signac. Reflections on Water

Skira

Lausanne, Fondation de l'Hermitage, January 29 - May 22, 2016.
English Text.
Milano, 2016; paperback, pp. 184, 150 col. ill., cm 24x29.

Other editions available: French edition 88-572-3098 Edizione italiana 88-572-3099

ISBN: 88-572-3403-7 - EAN13: 9788857234038

Subject: Monographs (Painting and Drawing)

Period: 1800-1960 (XIX-XX) Modern Period

Languages:  english text  

Weight: 1.04 kg


Paul Signac's career as a painter in love with colour was just as intense as it was varied. Starting from one of the largest private collections of the artist's works, this publication illustrates his creative journey from his early Impressionist paintings until his final watercolours from the Ports de France series, also including the heroic years of Neo-Impressionism, the splendour of Saint-Tropez, and the shimmering images of Venice, Rotterdam and Constantinople.
The virtuosity of the Neo-Impressionist master is also reflected in the diverse techniques he used: the ardour of Signac's Impressionist debut is set off against the limpid polychromies of the Divisionist paintings, the daring Japonisme of his watercolours contrasts with the freedom of the works painted en plein air, while his large Indian ink studies reveal the secrets of calm compositions, at length contemplated in his studio.

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