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DEAL OF THE DAY

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.

cover price: € 80.00

Beato Angelico

Total price: € 80.00 € 189.00 add to cart carrello

Books included in the offer:

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.

FREE (cover price: € 80.00)

Beato Angelico

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Ospedaletto, 2007; bound, pp. 320, col. ill., col. plates, cm 25,5x29.

FREE (cover price: € 77.00)

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Segni dell'Eucarestia

Edited by M. Luisa Polichetti.
Ancona, Osimo, Loreto Jesi, Senigallia, Fabriano e Metelica, 23 giugno - 31 ottobre 2011.
Torino, 2011; paperback, pp. 221, b/w and col. ill., cm 24x28.

FREE (cover price: € 32.00)

Segni dell'Eucarestia

chiudi

Signac. Reflections on Water

Skira

Lausanne, Fondation de l'Hermitage, January 29 - May 22, 2016.
English Text.
Milano, 2016; paperback, pp. 184, 150 col. ill., cm 24x29.

Other editions available: French edition 88-572-3098 Edizione italiana 88-572-3099

ISBN: 88-572-3403-7 - EAN13: 9788857234038

Subject: Monographs (Painting and Drawing)

Period: 1800-1960 (XIX-XX) Modern Period

Languages:  english text  

Weight: 1.04 kg


Paul Signac's career as a painter in love with colour was just as intense as it was varied. Starting from one of the largest private collections of the artist's works, this publication illustrates his creative journey from his early Impressionist paintings until his final watercolours from the Ports de France series, also including the heroic years of Neo-Impressionism, the splendour of Saint-Tropez, and the shimmering images of Venice, Rotterdam and Constantinople.
The virtuosity of the Neo-Impressionist master is also reflected in the diverse techniques he used: the ardour of Signac's Impressionist debut is set off against the limpid polychromies of the Divisionist paintings, the daring Japonisme of his watercolours contrasts with the freedom of the works painted en plein air, while his large Indian ink studies reveal the secrets of calm compositions, at length contemplated in his studio.

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