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DEAL OF THE DAY

Boldini e la Moda.

Ferrara, Palazzo dei Diamanti, February 16 - June 2, 2019.
Edited by Barbara Guidi and Guidi B.
Translation by Archer M.
Contributions by Virginia Hill.
Ferrara, 2019; bound, pp. 296, b/w and col. ill., cm 24x28.

cover price: € n.d.

Boldini e la Moda.

Total price: € 96.00 € 195.00 add to cart carrello

Books included in the offer:

Boldini e la Moda.

Ferrara, Palazzo dei Diamanti, February 16 - June 2, 2019.
Edited by Barbara Guidi and Guidi B.
Translation by Archer M.
Contributions by Virginia Hill.
Ferrara, 2019; bound, pp. 296, b/w and col. ill., cm 24x28.

FREE (cover price: € n.d.)

Boldini e la Moda.

Le nuove boutique. Moda e design

Translation by Barcatta L.
Viareggio, 2005; bound, pp. 189, col. ill., col. plates, cm 24,5x29.

FREE (cover price: € 43.00)

Le nuove boutique. Moda e design

Donna. Immagini del femminile da Boldini a oggi

Pescara, Museo d'Arte Moderna Vittoria Colonna, October 20, 2005 - January 23, 2006.
Milano, 2005; paperback, pp. 120, ill., cm 23x27.
(Biblioteca d'Arte).

FREE (cover price: € 28.00)

Donna. Immagini del femminile da Boldini a oggi

Miss Bell. Un dipinto di Giovanni Boldini nel Museo delle raccolte Frugone di Genova

Edited by Giubilei M. F. and Maione S.
Illustrations by Scuderi L.
Montecatini Terme, 2007; paperback, pp. 40, ill., cm 15x21.
(Sogno Intorno all'Opera. 8).

FREE (cover price: € 6.00)

Miss Bell. Un dipinto di Giovanni Boldini nel Museo delle raccolte Frugone di Genova

Alta Moda, Grande Teatro

Torino, Venaria Reale, March 29 - September 14, 2014.
Edited by Capella M.
Torino, 2014; bound, pp. 184, b/w and col. ill., tavv., cm 17,5x25.

FREE (cover price: € 22.00)

Alta Moda, Grande Teatro

chiudi

Santu Mofokeng. A Silent Solitude. Photographs 1982-2011

Skira

Edited by Simon Njami.
Italian and English Text.
Milano, 2017; hardback, pp. 256, b/w plates, cm 24,5x28,5.

ISBN: 88-572-3216-6 - EAN13: 9788857232164

Subject: Photography

Extra: African Art and Tribal Art

Languages:  english, italian text   english, italian text  

Weight: 0.57 kg


Being a photographer at the time when Santu Mofokeng decided to become one was not an unmotivated act. A psychological, moral, and sometimes physical war was being fought, and South Africa was its arena. Photography could not afford to be an artistic abstraction. It was both a political and intellectual commitment. It was anger; it was revolt. But it remained, in spite of everything, a form of writing, and that is how Mofokeng approached it. Not like his country's freedom fighters who denounced the iniquity of the ideology behind apartheid, but as the very special witness of a story which, until then, had been suppressed. By photographing his people, the places, the faces, and the streets, Mofokeng speaks to us about himself. Because all stories always begin with the person who tells them. And they come back to the teller in the end.

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