Giorgio De Chirico. Il volto della metafisica.
Genova, Palazzo Ducale, March 29 - July 7, 2019.
Edited by Noel-Johnson V.
Milano, 2019; bound, pp. 246, col. ill., cm 24x29.
(Arte Moderna. Cataloghi).
cover price: € n.d.
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Books included in the offer:
Giorgio De Chirico. Il volto della metafisica.
Genova, Palazzo Ducale, March 29 - July 7, 2019.
Edited by Noel-Johnson V.
Milano, 2019; bound, pp. 246, col. ill., cm 24x29.
(Arte Moderna. Cataloghi).
FREE (cover price: € n.d.)
Giorgio de Chirico. Nulla Sine Tragoedia Gloria
Atti del Convegno Internazionale di Studi - Auditorium Dell'Iri, Roma, October 15 - October 16, 1999.
Edited by Claudio Crescentini and Crescentini C.
Co-Editore: Associazione Culturale Shakespeare and Company 2.
Montecatini Terme, 2002; paperback, pp. 504, 188 b/w ill., 21 col. plates, cm 21x30.
(Shakespeare and Company. 2).
FREE (cover price: € 75.00)
Mutazioni. Segni e sogni del XX secolo. Da de Chirico a de Maria
Gavirate, Chiostro di Voltorre, February 23 - April 27, 2003.
Milano, 2003; paperback, pp. 108, ill., tavv., cm 16x22,5.
(Biblioteca d'Arte).
FREE (cover price: € 18.00)
Georges Rouault, Giorgio De Chirico
Mosummano Terme, Villa Renatico Martini, November 23, 2003 - February 15, 2004.
Lyon, La Spirale, October 4 - October 31, 2004.
Edited by Cassinelli P., Giori M. and Viggiano D.
Italian and French Text.
Ospedaletto, 2004; paperback, pp. 150, b/w ill., b/w plates, cm 17x24.
FREE (cover price: € 13.00)
Françoise Pétrovitch. [English Ed.]
Skira
English Text.
Milano, 2018; hardback, pp. 208, 180 col. ill., cm 24x30.
ISBN: 88-572-1644-6 - EAN13: 9788857216447
Subject: Graphic Arts (Prints, Drawings, Engravings, Miniatures)
Period: 1960- Contemporary Period
Languages:
Weight: 1.32 kg
Born in Chambéry in 1964, Françoise Pétrovitch teaches Fine Arts at the École Supérieure Estienne. In 1996 she was awarded a special mention at the Lacourière Prize. She lives and works in Cachan.
Françoise Pétrovitch always leads us gently and gravely where we do not expect to go.
By proceeding more often than not through series of works, she trains her piercing gaze both on major global events and minor things of life. Duality, absence, inaccessible intimacy appears on the surface of the paper taking us by surprise.
Drawing has a special place among the many media she adopts (ceramics, glass, wash drawing, painting ...), revealing a plastic economy marked by fairness, a refusal to comment and a way of moving forward "step by step".
The words, objects, animals and unsettling forms that accompany them shake us out of our habits and disrupt our certainties. They allow us to glimpse completely secret places that are inevitably disturbing and fascinating. With tenderness and cruelty, Françoise Pétrovitch reminds us that we are fragile beings, not far removed from the animal world.










