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DEAL OF THE DAY

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

cover price: € 160.00

Felice Palma. Massa 1583-1625. Collezione / Collection.

Total price: € 160.00 € 314.49 add to cart carrello

Books included in the offer:

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

FREE (cover price: € 160.00)

Felice Palma. Massa 1583-1625. Collezione / Collection.

Le botteghe del marmo

Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).

FREE (cover price: € 34.49)

Le botteghe del marmo

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).

FREE (cover price: € 30.00)

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Bronzetti e Rilievi dal XV al XVIII Secolo

Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.

FREE (cover price: € 90.00)

Bronzetti e Rilievi dal XV al XVIII Secolo

chiudi

Sohan Qadri. The Seer

Skira

English Text.
Milano, 2011; clothbound, pp. 150, 90 col. ill., cm 24x30.

ISBN: 88-572-0647-5 - EAN13: 9788857206479

Subject: Monographs (Painting and Drawing)

Period: 1960- Contemporary Period

Languages:  english text  

Weight: 1.28 kg


The first monograph of the Indian artist Sohan Qadri, a modern Tantric painter.
Born in 1932 in Punjab, India, Qadri began his quest for his true self through Tantric yoga and spent long periods of time silently meditating in remote temples in the Himalayas and Tibet. His isolation propelled his urge to paint. He received his MFA in 1960 from the Government College of Art in Simla, India, but soon discovered that academic trappings were not for him. Shortly after his first exhibition in 1965, he left India for the West. In Qadri's work, there is a tranquil coexistence of binary opposites - male and female, known and unknown, physical and spiritual. Although he clearly has Western influences, such as Mark Rothko and Clyfford Still, his work is uniquely Eastern. His paintings are monochrome surfaces with structural effects that, in their repetition, convey the rhythmic expressions of colour energies. The vibrations created by these energies are endless and break the boundaries between the inner space of the image and the external space of the viewer. Heinrich Böll, the 1972 Nobel Prize winner in Literature, said that Qadri, "with his painting liberates the word meditation from its fashionable taste and brings it back to its proper origin uninfluenced by Western propaganda, misunderstandings and corruptions."

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