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DEAL OF THE DAY

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

cover price: € n.d.

L'ora dello spettatore. Come le immagini ci usano.

Total price: € 40.00 € 144.00 add to cart carrello

Books included in the offer:

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

FREE (cover price: € n.d.)

L'ora dello spettatore. Come le immagini ci usano.

Caravaggio. La Bottega del Genio

Roma, Museo Nazionale del Palazzo di Venezia - Sale Quattrocentesche, December 22, 2010 - May 29, 2011.
Edited by Falucci C.
Roma, 2010; paperback, pp. 118, b/w and col. ill., tavv., cm 24x28.
(Cataloghi Mostre. 49).

FREE (cover price: € 48.00)

Caravaggio. La Bottega del Genio

Caravaggio. La Cappella Contarelli

Roma, Palazzo Venezia, March 10 - October 15, 2011.
Edited by M. Cardinali and De Ruggieri M. B.
Roma, 2011; paperback, pp. 150, 60 b/w ill., 60 col. ill., 60 b/w plates, col. plates, cm 24x28.
(Cataloghi Mostre. 50).

FREE (cover price: € 56.00)

Caravaggio. La Cappella Contarelli

chiudi

Der «Rithmus espeditione ierosolimitana». Des sogenannten haymarus monachus fiorentinus

Sismel - Edizioni del Galluzzo

Edited by Falk S. and Placanica A.
Tavarnuzze, 2006; bound, pp. CVIII-174, cm 17,5x24,5.
(Edizione Nazionale dei Testi Mediolatini. 18).

series: Edizione Nazionale dei Testi Mediolatini.

ISBN: 88-8450-230-6 - EAN13: 9788884502308

Period: 0-1000 (0-XI) Ancient World,1000-1400 (XII-XIV) Middle Ages

Languages:  italian text  

Weight: 0.69 kg


On July 4, 1187 Saladin's attack on the Crusader States of the Holy Land culminated in the Battle of Hattin, which saw the bloody defeat of the Christian armies, the loss of the relic of the Cross, and the capture of King Guy of Jerusalem and many knights and nobles, many among the 40 later killed. The response of western Christendom was the Third Crusade. As a participant, an anonymous ecclesiastic - identified in the past with the Florentine Monaco, who became Archbishop of Caesarea and later Patriarch of Jerusalem toward the end of the 12th century - describes the course of events. The short poem, composed with a certain elegance in rhythmic, rhymed verse, alternates levels of narration. The Rithmus is presented in a new critical edition, which replaces that of Paul Riant and William Stubbs after more than a century. It is accompanied by a translation and a series of explanatory textual notes, which explicate by reference to sources and an extensive historical bibliography.

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci