Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Klára Hosnedlová embrace
Silvana Editoriale
English and German Text.
Cinisello Balsamo, 2025; paperback, pp. 108, 39 col. ill., cm 17x24.
ISBN: 88-366-6079-7 - EAN13: 9788836660797
Subject: Magazines,Monographs (Painting and Drawing),Monographs (Sculpture and Decorative Arts),Sculpture
Period: 1960- Contemporary Period
Languages:
Weight: 0 kg
Most of the embroidery motifs are drawn from film and video recordings of performative interventions staged by the artist in Berlin. The content reflects architecture, films and novels that define the cultural memory of the border regions of what is now the Czech Republic over the past centuries. embrace marks the beginning of the CHANEL Commission, which enables artists to realise large-scale projects in the main hall of Hamburger Bahnhof.
This is the eleventh in a series of publications accompanying solo exhibitions of contemporary artists at Hamburger Bahnhof - Nationalgalerie der Gegenwart. It comprises a curatorial introduction by Anna-Catharina Gebbers, an extensive interview with Klára Hosnedlová as well as an essay by Ursula Ströbe










