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DEAL OF THE DAY

Il ritratto equestre di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens

Edited by Zanelli Gianluca.
Genova, 2023; paperback, pp. 240, b/w and col. ill., cm 17x24.

cover price: € 35.00

Il ritratto equestre  di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens

Total price: € 35.00 € 102.00 add to cart carrello

Books included in the offer:

Il ritratto equestre di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens

Edited by Zanelli Gianluca.
Genova, 2023; paperback, pp. 240, b/w and col. ill., cm 17x24.

FREE (cover price: € 35.00)

Il ritratto equestre  di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens

Valerio Castello.

Torino, 2008; bound, pp. 301, b/w ill., 28 col. plates, cm 21,5x31.
(Archivi di Arte Antica).

FREE (cover price: € 45.00)

Valerio Castello.

L'Eredità Donata. Franco e Paolo Spinola e la Galleria di Palazzo Spinola

Genova, Palazzo Spinola, February 5 - May 24, 2009.
Genova, GALLERIA NAZIONALE DI PALAZZO SPINOLA, February 6 - May 24, 2009.
Edited by Simonetti F.
Torino, 2009; paperback, pp. 149, b/w and col. ill., tavv., cm 17x22.

FREE (cover price: € 22.00)

L'Eredità Donata. Franco e Paolo Spinola e la Galleria di Palazzo Spinola

chiudi

Rodney Smith. Fotografia tra reale e surreale. Photography between real and surreal

Silvana Editoriale

Rovigo, Palazzo Roverella, September 26, 2025 - February 1, 2026.
Edited by Anne Morin.
Italian and English Text.
Cinisello Balsamo, 2025; hardback, pp. 200, 150 col. ill., cm 24x28.

ISBN: 88-366-5887-3 - EAN13: 9788836658879

Subject: Photography

Period: 1960- Contemporary Period

Languages:  english, italian text   english, italian text  

Weight: 0 kg


The work of Rodney Smith (1947-2016) is above all an invitation to insinuate oneself into a world suspended between illusion and reality. Far from the modern conventions of documentary photography or realism, Smith has created a unique language on the boundary between these two worlds.
Each of his sublime, supreme images exerts a real fascination over the viewer, for they are the site of polarity and duality, of the utterance and its contradiction, of the place and its reverse.
Rodney Smith is not content merely to document the world; he transforms it and magnifies it, and only photography is capable of delivering, in a flash, his strange visions, his kind of visual impulses, as stunning and explosive as if they were about to break the sound barrier.

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