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DEAL OF THE DAY

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.

cover price: € 80.00

Beato Angelico

Total price: € 80.00 € 189.00 add to cart carrello

Books included in the offer:

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.

FREE (cover price: € 80.00)

Beato Angelico

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Ospedaletto, 2007; bound, pp. 320, col. ill., col. plates, cm 25,5x29.

FREE (cover price: € 77.00)

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Segni dell'Eucarestia

Edited by M. Luisa Polichetti.
Ancona, Osimo, Loreto Jesi, Senigallia, Fabriano e Metelica, 23 giugno - 31 ottobre 2011.
Torino, 2011; paperback, pp. 221, b/w and col. ill., cm 24x28.

FREE (cover price: € 32.00)

Segni dell'Eucarestia

chiudi

Brown Fleming and the Haarlem Collection. The European production of wax prints for West-Africa

Silvana Editoriale

Edited by Helen Elands.
English Text.
Cinisello Balsamo, 2024; bound, pp. 256, 150 col. ill., cm 23x29.

ISBN: 88-366-5874-1 - EAN13: 9788836658749

Subject: Collections,Graphic Arts (Prints, Drawings, Engravings, Miniatures),Textiles (Tapestries, Carpets, Embroyderies)

Period: 1960- Contemporary Period

Languages:  english text  

Weight: 0 kg


This book details how copies of Indonesian batik, manufactured in Europe and initially intended for the South-East Asian market, enjoyed unexpected success on the west coast of Africa at the end of the 19th century. The Scottish merchant Brown Fleming introduced the first wax-printed batik imitations made by Prévinaire and produced in the Netherlands, and adapted them to the tastes of African customers.
New research based on Dutch, English and Swiss archives has enabled us not only to reconstruct the earliest collections, but also to provide an overview of the development of Dutch wax in Europe from its beginnings to the last surviving company, Vlisco, in Helmond (Netherlands), which still prints these classics today.
This book will be the first to focus on the history of wax for West Africa in the various European countries from its beginnings to the present day, drawing of course on existing literature, but above all on primary sources.

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