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DEAL OF THE DAY

Il ritratto equestre di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens

Edited by Zanelli Gianluca.
Genova, 2023; paperback, pp. 240, b/w and col. ill., cm 17x24.

cover price: € 35.00

Il ritratto equestre  di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens

Total price: € 35.00 € 102.00 add to cart carrello

Books included in the offer:

Il ritratto equestre di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens

Edited by Zanelli Gianluca.
Genova, 2023; paperback, pp. 240, b/w and col. ill., cm 17x24.

FREE (cover price: € 35.00)

Il ritratto equestre  di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens

Valerio Castello.

Torino, 2008; bound, pp. 301, b/w ill., 28 col. plates, cm 21,5x31.
(Archivi di Arte Antica).

FREE (cover price: € 45.00)

Valerio Castello.

L'Eredità Donata. Franco e Paolo Spinola e la Galleria di Palazzo Spinola

Genova, Palazzo Spinola, February 5 - May 24, 2009.
Genova, GALLERIA NAZIONALE DI PALAZZO SPINOLA, February 6 - May 24, 2009.
Edited by Simonetti F.
Torino, 2009; paperback, pp. 149, b/w and col. ill., tavv., cm 17x22.

FREE (cover price: € 22.00)

L'Eredità Donata. Franco e Paolo Spinola e la Galleria di Palazzo Spinola

chiudi

Brassaï The eye of Paris

Silvana Editoriale

Bassano del Grappa, Mba, November 16, 2024 - April 21, 2025.
Edited by Philippe Ribeyrolles.
English and French Text.
Cinisello Balsamo, 2024; paperback, pp. 256, 250 b/w ill., cm 24x28.

ISBN: 88-366-5742-7 - EAN13: 9788836657421

Subject: Photography

Period: 1960- Contemporary Period

Languages:  english, french text   english, french text  

Weight: 0 kg


Through more than two hundred vintage photographic prints, this volume presents an in-depth and original window into Brassaï's oeuvre. Hungarian by birth but Parisian by adoption, Brassaï - the pseudonym of Gyula Halász - was one of the absolute protagonists of 20th-century photography, defined by Henry Miller as a "living eye". Renowned are his glimpses of a mysterious Paris, illuminated by streetlamps, enveloped in fog or slick with rain, bearing witness to the nocturnal atmosphere that permeated the French capital of the time; but Brassaï travelled all over Europe - including to Italy and Spain - as well as to the United States, creating a photographic trail that bears the imprint of his curiosity and his style. The full chronological range of his production is unveiled here, from his first shots influenced by an affinity with the Surrealist movement to his iconic images of Parisian pleasure-seekers and socialites. Particular attention is given to his images of "graffiti", captured by Brassaï during his decades-long exploration of the walls of Paris, a mark of his bond with the visual arts and artists such as Jean Dubuffet. Finally, the photographs dedicated to the female nude and to fashion, portraits of artist friends and children, and the small paradoxes and "involuntary sculptures" that reality offered to his gaze and which Brassaï, a creator of images, masterfully grasped in the immediacy of the moment.

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