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DEAL OF THE DAY

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

cover price: € 33.00

Arturo Martini. I capolavori

Total price: € 33.00 € 97.00 add to cart carrello

Books included in the offer:

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

FREE (cover price: € 33.00)

Arturo Martini. I capolavori

Studi su Arturo Martini. Per Ofelia

Edited by Matteo Ceriana and Claudia Gian Ferrari.
Milano, Atti del Covegno, 19 maggio 2008.
Milano, 2009; paperback, pp. 136, 97 b/w ill., cm 17x24.

FREE (cover price: € 29.00)

Studi su Arturo Martini. Per Ofelia

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

Genova, Palazzo Reale, April 16 - July 24, 2016.
Edited by Giuliana Ericani and Franceasco Leone.
Roma, 2016; paperback, pp. 306, col. ill., col. plates, cm 23x30.

FREE (cover price: € 35.00)

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

chiudi

Brassaï The eye of Paris

Silvana Editoriale

Bassano del Grappa, Mba, November 16, 2024 - April 21, 2025.
Edited by Philippe Ribeyrolles.
English and French Text.
Cinisello Balsamo, 2024; paperback, pp. 256, 250 b/w ill., cm 24x28.

ISBN: 88-366-5742-7 - EAN13: 9788836657421

Subject: Photography

Period: 1960- Contemporary Period

Languages:  english, french text   english, french text  

Weight: 0 kg


Through more than two hundred vintage photographic prints, this volume presents an in-depth and original window into Brassaï's oeuvre. Hungarian by birth but Parisian by adoption, Brassaï - the pseudonym of Gyula Halász - was one of the absolute protagonists of 20th-century photography, defined by Henry Miller as a "living eye". Renowned are his glimpses of a mysterious Paris, illuminated by streetlamps, enveloped in fog or slick with rain, bearing witness to the nocturnal atmosphere that permeated the French capital of the time; but Brassaï travelled all over Europe - including to Italy and Spain - as well as to the United States, creating a photographic trail that bears the imprint of his curiosity and his style. The full chronological range of his production is unveiled here, from his first shots influenced by an affinity with the Surrealist movement to his iconic images of Parisian pleasure-seekers and socialites. Particular attention is given to his images of "graffiti", captured by Brassaï during his decades-long exploration of the walls of Paris, a mark of his bond with the visual arts and artists such as Jean Dubuffet. Finally, the photographs dedicated to the female nude and to fashion, portraits of artist friends and children, and the small paradoxes and "involuntary sculptures" that reality offered to his gaze and which Brassaï, a creator of images, masterfully grasped in the immediacy of the moment.

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