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DEAL OF THE DAY

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.

cover price: € 80.00

Beato Angelico

Total price: € 80.00 € 189.00 add to cart carrello

Books included in the offer:

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.

FREE (cover price: € 80.00)

Beato Angelico

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Ospedaletto, 2007; bound, pp. 320, col. ill., col. plates, cm 25,5x29.

FREE (cover price: € 77.00)

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Segni dell'Eucarestia

Edited by M. Luisa Polichetti.
Ancona, Osimo, Loreto Jesi, Senigallia, Fabriano e Metelica, 23 giugno - 31 ottobre 2011.
Torino, 2011; paperback, pp. 221, b/w and col. ill., cm 24x28.

FREE (cover price: € 32.00)

Segni dell'Eucarestia

chiudi

Brassaï The eye of Paris

Silvana Editoriale

Bassano del Grappa, Mba, November 16, 2024 - April 21, 2025.
Edited by Philippe Ribeyrolles.
English and French Text.
Cinisello Balsamo, 2024; paperback, pp. 256, 250 b/w ill., cm 24x28.

ISBN: 88-366-5742-7 - EAN13: 9788836657421

Subject: Photography

Period: 1960- Contemporary Period

Languages:  english, french text   english, french text  

Weight: 0 kg


Through more than two hundred vintage photographic prints, this volume presents an in-depth and original window into Brassaï's oeuvre. Hungarian by birth but Parisian by adoption, Brassaï - the pseudonym of Gyula Halász - was one of the absolute protagonists of 20th-century photography, defined by Henry Miller as a "living eye". Renowned are his glimpses of a mysterious Paris, illuminated by streetlamps, enveloped in fog or slick with rain, bearing witness to the nocturnal atmosphere that permeated the French capital of the time; but Brassaï travelled all over Europe - including to Italy and Spain - as well as to the United States, creating a photographic trail that bears the imprint of his curiosity and his style. The full chronological range of his production is unveiled here, from his first shots influenced by an affinity with the Surrealist movement to his iconic images of Parisian pleasure-seekers and socialites. Particular attention is given to his images of "graffiti", captured by Brassaï during his decades-long exploration of the walls of Paris, a mark of his bond with the visual arts and artists such as Jean Dubuffet. Finally, the photographs dedicated to the female nude and to fashion, portraits of artist friends and children, and the small paradoxes and "involuntary sculptures" that reality offered to his gaze and which Brassaï, a creator of images, masterfully grasped in the immediacy of the moment.

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