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DEAL OF THE DAY

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.

cover price: € 80.00

Beato Angelico

Total price: € 80.00 € 189.00 add to cart carrello

Books included in the offer:

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.

FREE (cover price: € 80.00)

Beato Angelico

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Ospedaletto, 2007; bound, pp. 320, col. ill., col. plates, cm 25,5x29.

FREE (cover price: € 77.00)

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Segni dell'Eucarestia

Edited by M. Luisa Polichetti.
Ancona, Osimo, Loreto Jesi, Senigallia, Fabriano e Metelica, 23 giugno - 31 ottobre 2011.
Torino, 2011; paperback, pp. 221, b/w and col. ill., cm 24x28.

FREE (cover price: € 32.00)

Segni dell'Eucarestia

chiudi

Eva Fàbregas. Devouring Lovers

Silvana Editoriale

Berlin, Hamburger Banhof, July 6, 2023 - January 7, 2024.
Edited by Sam Bardaouil, Till Fellrath, Anna-Catharina Gebbers.
English and German Text.
Cinisello Balsamo, 2023; paperback, pp. 108, 60 col. ill., cm 17x24.
(Hamburger Bahnhof. Nationalgalerie der Gegenwart. 2).

series: Hamburger Bahnhof. Nationalgalerie der Gegenwart.

ISBN: 88-366-5518-1 - EAN13: 9788836655182

Subject: Monographs (Sculpture and Decorative Arts)

Period: 1960- Contemporary Period

Languages:  deutsch, english text   deutsch, english text  

Weight: 1 kg


“Eva Fàbregas. Devouring Lovers” introduces the work of Barcelona-based artist Eva Fàbregas on the occasion of her largest solo exhibition to date. Eva Fàbregas takes over the historical hall of the Hamburger Bahnhof with a monumental, site-specific installation that expands the boundaries of sculpture, inviting visitors to a sensual, spatial experience. Biomorphous sculptures transform the museum’s architecture, which is characterized by industrial iron girders, into an organically grown space, blurring the borders between technically generated, and the human and non-human worlds.
This is the second in a series of publications accompanying solo exhibitions of contemporary artists at Hamburger Bahnhof – Nationalgalerie der Gegenwart. It comprises a curatorial text by Anna-Catharina Gebbers, a comprehensive interview with the artist, and essay contributions by Paul B. Preciado and Daisy Lafarge situating Eva Fàbregas’s work within a larger context.

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