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DEAL OF THE DAY

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

cover price: € 160.00

Felice Palma. Massa 1583-1625. Collezione / Collection.

Total price: € 160.00 € 314.49 add to cart carrello

Books included in the offer:

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

FREE (cover price: € 160.00)

Felice Palma. Massa 1583-1625. Collezione / Collection.

Le botteghe del marmo

Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).

FREE (cover price: € 34.49)

Le botteghe del marmo

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).

FREE (cover price: € 30.00)

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Bronzetti e Rilievi dal XV al XVIII Secolo

Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.

FREE (cover price: € 90.00)

Bronzetti e Rilievi dal XV al XVIII Secolo

chiudi

Helnwein. Sleep of Reason

Silvana Editoriale

Edited by Beate Reifenscheid.
English and German Text.
Cinisello Balsamo, 2021; paperback, pp. 160, 100 b/w and col. ill., cm 24x30.

ISBN: 88-366-4809-6 - EAN13: 9788836648092

Subject: Photography

Period: 1960- Contemporary Period

Languages:  english, deutsch text   english, deutsch text  

Weight: 1 kg


Gottfried Helnwein has long been a recognized figure on the world art scene and more than ever his darkly visionary portrayals of pain, abuse and torture are proving to be true. Helnwein transfers these on the basis of an extensive pictorial knowledge that draws in particular on European Romanticism, but at the same time seamlessly transitions to the propaganda machinery of the Nazi dictatorship and the harmless duck cosmos of the famous Disney cartoonist Carl Barks.
The trivial breaks the noble and knocks the supposedly adorable off its pedestal. Helnwein proves to be a clever strategist here, and a master of quoting and referencing unfamiliar points of view.

Koblenz, Ludwig Museum, April - May 2021 Venice, Biblioteca Nazionale Marciana, June - July 2021

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