Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Otto Fried. Heaven Can Wait / Heaven Can't Wait
Silvana Editoriale
Koblenz, Ludwig Museum, June 21 - August 16, 2020.
Edited by Beate Reifenscheid.
English and German Text.
Cinisello Balsamo, 2020; paperback, pp. 96, 40 col. ill., cm 24x30.
ISBN: 88-366-4647-6 - EAN13: 9788836646470
Subject: Monographs (Painting and Drawing)
Period: 1960- Contemporary Period
Places: Europe
Languages:
Weight: 0.55 kg
At the end of 1949 he traveled to France to work with Fernand Léger, in whose studio he worked for two years. In 1951 he received his first solo exhibition in the American Library in Paris. Works by him were shown in New York as early as 1952. The Metropolitan Museum of Art, NY, bought a monotype for the permanent collection in 1960.
The exhibition catalogue offers an overview on Otto Fried's career: works from the early days (1950s), which are presented with a few oil paintings and almost cubist-like drawings, form the foundation of an almost exclusively abstract visual language that the artist developed later. Compositions based primarily on cosmic disks and circles, of which Fried formulates numerous variations that are very lively in color. This creates interweaving of depth and space, of a mostly melodic sound, which he concentrates in the center of the picture and allows it to subside towards the edges. Some sculptures expand the view of his work, which is multifaceted and varied to the present day.










