Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Burri Inside Out. The One and Only Interview
Silvana Editoriale
English Text.
Cinisello Balsamo, 2015; paperback, pp. 128, b/w and col. ill., cm 15x21.
ISBN: 88-366-3102-9 - EAN13: 9788836631025
Subject: Masterpiece
Languages:
Weight: 0.5 kg
He famously refused to, and in documentary films of him working, he never said a word. "My works speak for me" was his motto and he maintained it obstinately for almost half a century, in the course of which he turned down interviews, celebrations, prizes and awards.
This volume is therefore the first and only publication of Burri's interviews in existence and is therefore particularly precious, beyond the usual circuits of journalism and art criticism, since it collects conversations between the artist and his friend and interlocutor Stefano Zorzi from 1994, near the end of Burri's life.
In this text, we hear from Burri himself about his untraditional materials and processes - from burlap canvases, to plastic, to cements, to scrap iron and plastic sheets -that revolutionized midcentury painting.










