Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Andrei Molodkin. Crude
Silvana Editoriale
Washington, American University Museum at the Katzen Arts Center, January 26 - March 12, 2013.
Texas, Station Museum of Contemporary Art, November 5, 2011 - February 12, 2012.
English Text.
Cinisello Balsamo, 2013; hardback, pp. 80, 80 col. ill., cm 21x24.
ISBN: 88-366-2578-9 - EAN13: 9788836625789
Subject: Graphic Arts (Prints, Drawings, Engravings, Miniatures),Monographs (Sculpture and Decorative Arts)
Period: 1960- Contemporary Period
Extra: New Media
Languages:
Weight: 0.56 kg
As an artist-engineer, Molodkin (1966, Boui, Russia) creates a complex mechanical system consisting of air compressors, castiron pumps, and plastic tubing. These dynamic interconnected elements work in unison to push crude oil through factory-made acrylic sculptures that both target and subvert political rhetoric.
Molodkin takes the idiosyncratic language of the industry he is critiquing and manipulates it to expose the corruption and contradictions that lie within.
Organized in Houston, the nucleus of the country's oil production, refinement and commerce, Crude will travel to the Katzen Art Center at the American University Museum in Washington, D.C., the capital of the US government and the symbolic heart of Western politics.










