Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Salvatore Scarpitta. [English Ed.]
Silvana Editoriale
Torino, GAM, 20 October 2012 - 3 February 2013.
English Text.
Cinisello Balsamo, 2012; paperback, pp. 308, 300 col. ill., cm 22x28.
Other editions available: Edizione italiana (ISBN: 88-366-2502-9)
ISBN: 88-366-2503-7 - EAN13: 9788836625031
Subject: Monographs (Painting and Drawing),Monographs (Sculpture and Decorative Arts)
Period: 1960- Contemporary Period
Extra: New Media
Languages:
Weight: 1.71 kg
The originality of his language, not easily assigned to any particular twentieth-century art current and which had a profound influence on post-war Italian art, is explored in critical essays and in the extensive section Notes toward a biography. Writings and works, offering an exhaustive panorama of his works.One hopes that the viewer will see beyond the objective fact under his eyes and will tanscend it. It is the process of transmutation of a physical object into spirit, wich is a purely artistic fact, and I believe in this as the objective of my way of being an artist. This is my morals, my ethics: to find in the visual presence, often in the form of broken relics of life, other impulses that help to understand that this work, if it is art, leads elsewhere.
This elsewhere lies in the history shared by all, through the passages everyone encounters sooner or later: birth, death, violence, realization of being a part of nature" Salvatore Scarpitta










