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DEAL OF THE DAY

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

cover price: € 160.00

Felice Palma. Massa 1583-1625. Collezione / Collection.

Total price: € 160.00 € 314.49 add to cart carrello

Books included in the offer:

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

FREE (cover price: € 160.00)

Felice Palma. Massa 1583-1625. Collezione / Collection.

Le botteghe del marmo

Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).

FREE (cover price: € 34.49)

Le botteghe del marmo

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).

FREE (cover price: € 30.00)

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Bronzetti e Rilievi dal XV al XVIII Secolo

Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.

FREE (cover price: € 90.00)

Bronzetti e Rilievi dal XV al XVIII Secolo

chiudi

Filippo De Pisis. The Illusion of Superficiality

Polistampa

Edited by Mannini L. and Risaliti S.
English Text.
Firenze, 2022; paperback, pp. 272, col. ill., cm 19x14.

ISBN: 88-596-2288-3 - EAN13: 9788859622888

Languages:  english text  

Weight: 0.516 kg


The catalog of the exhibition held in Florence at the Museo Nove-cento, from 18th March until 7th September 2022, investigates some key themes of the artistic production of one of the most complex personalities of the early twentieth century in Italy.
Often accused of pursuing a painting with a "decorative superficia-lity" of a neo-impressionist matrix - due to the rapid and light bru-shstrokes and pleasant color combinations - de Pisis has instead built many of his major paintings through a game of references and references, autobiographical and cultural. This complexity is evident in the careful and studied selection of works in which the artist has adopted expedients such as the "picture within a pictu-re", the mise en abyme of visual representation, the evocation of instruments of the trade, the allegorical composition that someti-mes functions as a rebus.

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