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DEAL OF THE DAY

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Perugia, Galleria Nazionale dell'Umbria, March 4 - June 11, 2023.
Edited by Picchiarelli V. and Pierini M.
Milano, 2023; bound, pp. 592, 650 col. ill., cm 24x21.

cover price: € 40.00

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Total price: € 40.00 € 249.90 add to cart carrello

Books included in the offer:

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Perugia, Galleria Nazionale dell'Umbria, March 4 - June 11, 2023.
Edited by Picchiarelli V. and Pierini M.
Milano, 2023; bound, pp. 592, 650 col. ill., cm 24x21.

FREE (cover price: € 40.00)

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Michele Rocca e la pittura rococo a Roma

Brescia, 2004; bound in a case, pp. 310, b/w and col. ill., tavv., cm 24,5x31,5.

FREE (cover price: € 180.00)

Michele Rocca e la pittura rococo a Roma

Cucinare per gli amici

Translation by S. Mancuso.
Milano, 2012; clothbound, pp. 269, ill., cm 21x26,5.
(Gli Illustrati).

FREE (cover price: € 29.90)

Cucinare per gli amici

chiudi

Evelyn Taocheng Wang. An equivocal contrast

Mousse Publishing

English and Chinese Text.
Milano, 2026; paperback, pp. 104, col. ill., cm 23,2x23.

ISBN: 88-6749-739-1 - EAN13: 9788867497393

Subject: Collections,Monographs (Painting and Drawing),Painting

Period: 1960- Contemporary Period

Languages:  other, english text   other, english text  

Weight: 0.444 kg


Evelyn Taocheng Wang: An Equivocal Contrast is the catalogue published in connection with Wang's 2023 solo exhibition of the same title at the Rockbund Art Museum, Shanghai. Marking the artist's first solo museum exhibition beyond Euro-America, it brought together seventeen new works, twelve of which form a Chinese album imagining a dialogue between Eileen Chang and Agnes Martin. For Wang, Chang and Martin are not simply references or influences, but "readymade personalities" invited into her "powder box of art": figures whose gestures, temperaments, and tones she borrows, reapplies, and reimagines through painting.

The book extends this idea of painting as correspondence. At its center is the complete exchange between Wang and fellow painter Hao Liang. Although the two artists had admired each other's work for years, they first met in person on the opening day of An Equivocal Contrast. Their encounter unfolded into a friendship and a series of email exchanges, in which they move freely from Tang poet Li Shangyin to Japanese painter Toko Shinoda, and between philosophy and technique, brushwork and biography, narrative and material.

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