Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Jean-Vincent Simonet: Kitengela
Mousse Publishing
Edited by Thomas Bellegarde and Jean-Vincent Simonet.
Texts by Léa Besanceney and Salomé Burstein.
English Text.
Milano, 2024; paperback, pp. 152, col. ill., cm 23x28.
ISBN: 88-6749-659-X - EAN13: 9788867496594
Subject: Collections,Photography
Period: 1960- Contemporary Period
Languages:
Weight: 0 kg
Through his photographs, Simonet captures the vibrant yet fragmented narrative of this place, revealing its intimate origins, its artistic ambitions, and the sociocultural landscape it reflects, drawing an equivalence between the stained glass walls and the surface of the page.
Simonet portrays Croze's house in its social uses as simultaneously a workplace, a childhood home, and a life-size bestiary where animals mingle with their sculpture-garden alter egos in stone. This book works as a visual inquiry into the fate of privatized utopias. It also resonates as an exercise against oblivion, but one that is stripped of any nostalgia, where memories are vivid, pulsating.










