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DEAL OF THE DAY

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.

cover price: € 80.00

Beato Angelico

Total price: € 80.00 € 189.00 add to cart carrello

Books included in the offer:

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.

FREE (cover price: € 80.00)

Beato Angelico

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Ospedaletto, 2007; bound, pp. 320, col. ill., col. plates, cm 25,5x29.

FREE (cover price: € 77.00)

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Segni dell'Eucarestia

Edited by M. Luisa Polichetti.
Ancona, Osimo, Loreto Jesi, Senigallia, Fabriano e Metelica, 23 giugno - 31 ottobre 2011.
Torino, 2011; paperback, pp. 221, b/w and col. ill., cm 24x28.

FREE (cover price: € 32.00)

Segni dell'Eucarestia

chiudi

Jean-Vincent Simonet: Kitengela

Mousse Publishing

Edited by Thomas Bellegarde and Jean-Vincent Simonet.
Texts by Léa Besanceney and Salomé Burstein.
English Text.
Milano, 2024; paperback, pp. 152, col. ill., cm 23x28.

ISBN: 88-6749-659-X - EAN13: 9788867496594

Subject: Collections,Photography

Period: 1960- Contemporary Period

Languages:  english text  

Weight: 0 kg


Photographer Jean-Vincent Simonet (b. 1991, Bourgoin-Jallieu, France) introduces a new photobook that captures the transforming world of Kitengela Glass, an artistic community in the south of Nairobi, Kenya. Founded in the early 1980s by German artist Nani Croze, Kitengela is a five-acre village crafted from recycled glass, embodying Croze's vision of a creative utopia where art and nature intertwine.

Through his photographs, Simonet captures the vibrant yet fragmented narrative of this place, revealing its intimate origins, its artistic ambitions, and the sociocultural landscape it reflects, drawing an equivalence between the stained glass walls and the surface of the page.

Simonet portrays Croze's house in its social uses as simultaneously a workplace, a childhood home, and a life-size bestiary where animals mingle with their sculpture-garden alter egos in stone. This book works as a visual inquiry into the fate of privatized utopias. It also resonates as an exercise against oblivion, but one that is stripped of any nostalgia, where memories are vivid, pulsating.

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci