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DEAL OF THE DAY

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.

cover price: € 80.00

Beato Angelico

Total price: € 80.00 € 189.00 add to cart carrello

Books included in the offer:

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.

FREE (cover price: € 80.00)

Beato Angelico

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Ospedaletto, 2007; bound, pp. 320, col. ill., col. plates, cm 25,5x29.

FREE (cover price: € 77.00)

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Segni dell'Eucarestia

Edited by M. Luisa Polichetti.
Ancona, Osimo, Loreto Jesi, Senigallia, Fabriano e Metelica, 23 giugno - 31 ottobre 2011.
Torino, 2011; paperback, pp. 221, b/w and col. ill., cm 24x28.

FREE (cover price: € 32.00)

Segni dell'Eucarestia

chiudi

Studio Marconi 1966-1980: An Anthology

Mousse Publishing

Edited by Fondazione Marconi, Gió Marconi, Alberto Salvadori.
Italian and English Text.
Milano, 2023; paperback, pp. 253, col. ill., cm 21x28.

ISBN: 88-6749-593-3 - EAN13: 9788867495931

Subject: Monographs (Painting and Drawing)

Period: 1960- Contemporary Period

Languages:  english, italian text   english, italian text  

Weight: 1 kg


During the height of the economic boom of the 1960s, Giorgio Marconi began his career as a gallerist by opening Studio Marconi in via Tadino 15, a space for exhibitions and a meeting point for young artists, intellectuals, critics, and collectors who gathered to discuss the artistic and non-artistic landscape of the time. From these exchanges of ideas, Studio Marconi began to conceive the possibility of a periodic publication project, becoming an editor as well. This volume presents the complete publication of Decennale dello Studio Marconi 1966/76, produced for the gallery’s tenth anniversary, as well as two other types of periodic publications: magazines printed on newsprint and small notebooks/bulletins, thus retracing years of Studio Marconi’s history. An interview by Hans Ulrich Obrist with Valerio Adami completes this analysis.

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