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DEAL OF THE DAY

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Perugia, Galleria Nazionale dell'Umbria, March 4 - June 11, 2023.
Edited by Picchiarelli V. and Pierini M.
Milano, 2023; bound, pp. 592, 650 col. ill., cm 24x21.

cover price: € 40.00

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Total price: € 40.00 € 249.90 add to cart carrello

Books included in the offer:

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Perugia, Galleria Nazionale dell'Umbria, March 4 - June 11, 2023.
Edited by Picchiarelli V. and Pierini M.
Milano, 2023; bound, pp. 592, 650 col. ill., cm 24x21.

FREE (cover price: € 40.00)

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Michele Rocca e la pittura rococo a Roma

Brescia, 2004; bound in a case, pp. 310, b/w and col. ill., tavv., cm 24,5x31,5.

FREE (cover price: € 180.00)

Michele Rocca e la pittura rococo a Roma

Cucinare per gli amici

Translation by S. Mancuso.
Milano, 2012; clothbound, pp. 269, ill., cm 21x26,5.
(Gli Illustrati).

FREE (cover price: € 29.90)

Cucinare per gli amici

chiudi

Studio Marconi 1966-1980: An Anthology

Mousse Publishing

Edited by Fondazione Marconi, Gió Marconi, Alberto Salvadori.
Italian and English Text.
Milano, 2023; paperback, pp. 253, col. ill., cm 21x28.

ISBN: 88-6749-593-3 - EAN13: 9788867495931

Subject: Monographs (Painting and Drawing)

Period: 1960- Contemporary Period

Languages:  english, italian text   english, italian text  

Weight: 1 kg


During the height of the economic boom of the 1960s, Giorgio Marconi began his career as a gallerist by opening Studio Marconi in via Tadino 15, a space for exhibitions and a meeting point for young artists, intellectuals, critics, and collectors who gathered to discuss the artistic and non-artistic landscape of the time. From these exchanges of ideas, Studio Marconi began to conceive the possibility of a periodic publication project, becoming an editor as well. This volume presents the complete publication of Decennale dello Studio Marconi 1966/76, produced for the gallery’s tenth anniversary, as well as two other types of periodic publications: magazines printed on newsprint and small notebooks/bulletins, thus retracing years of Studio Marconi’s history. An interview by Hans Ulrich Obrist with Valerio Adami completes this analysis.

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