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DEAL OF THE DAY

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Perugia, Galleria Nazionale dell'Umbria, March 4 - June 11, 2023.
Edited by Picchiarelli V. and Pierini M.
Milano, 2023; bound, pp. 592, 650 col. ill., cm 24x21.

cover price: € 40.00

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Total price: € 40.00 € 249.90 add to cart carrello

Books included in the offer:

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Perugia, Galleria Nazionale dell'Umbria, March 4 - June 11, 2023.
Edited by Picchiarelli V. and Pierini M.
Milano, 2023; bound, pp. 592, 650 col. ill., cm 24x21.

FREE (cover price: € 40.00)

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Michele Rocca e la pittura rococo a Roma

Brescia, 2004; bound in a case, pp. 310, b/w and col. ill., tavv., cm 24,5x31,5.

FREE (cover price: € 180.00)

Michele Rocca e la pittura rococo a Roma

Cucinare per gli amici

Translation by S. Mancuso.
Milano, 2012; clothbound, pp. 269, ill., cm 21x26,5.
(Gli Illustrati).

FREE (cover price: € 29.90)

Cucinare per gli amici

chiudi

Boccioni. Opere inedite-Unpublished works

Maretti Editore

Edited by Dambruoso A.
Falciano, 2022; hardback, pp. 96, col. ill., cm 24x28.

ISBN: 88-9397-063-5 - EAN13: 9788893970631

Subject: Collections,Essays (Art or Architecture),Monographs (Painting and Drawing),Painting

Period: 1800-1960 (XIX-XX) Modern Period

Languages:  italian text  

Weight: 0.848 kg


More than one hundred years after his death - and almost six years after the publication of the general catalog edited by Maurizio Calvesi and this writer - Umberto Boccioni continues to surprise scholars and art enthusiasts. The unpublished works identified in the last five and a half years are forty-one, including oil paintings, paper drawings and a sculpture, which are added to the large corpus of known works to testify, once again, to the extraordinary productiveness over a career that lasted less than twenty years. [...] Thanks to the discovery of some preparatory drawings of already known paintings and, in one case, vice versa by tracking a drawing with a similar subject to an unpublished painting, the practice implemented by the artist is confirmed. A practice already evident in the numerous known drawings that can be compared to the oil paintings: Boccioni used to carry out various studies on paper - from the general compositional layout of the work to individual details - before picking up his brushes. [...] The discovery of some unpublished works done abroad (in addition to Brazil and Australia) as well as France, Germany and England suggest that a European collection of Boccioni works had already been started, following the circulation of his compositions were presented at the first solo and collective exhibitions of the Futurist group. The activity of the Futurists group outside of Italy from 1912 to 1915 was remarkable. Exhibitions were held in Paris (1912 and 1913), Berlin (1912 and 1913), London (1912 and 1914) as well as in Brussels (1912), Rotterdam (1913), Leipzig (1914), all the way to San Francisco (1915).

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