Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Atti dell'IVSLA. Classe di Scienze Matematiche, Fisiche e Naturali. Volume 181, Fasc. I-II-III. Study days on Venetian Glass. Diamond-Point Engraved and Cold-Painted Glass of the Renaissance and Baroque Periods.
Istituto Veneto di Scienze, Lettere ed Arti
Edited by Rosa Barovier and Cristina Tonini.
English Text.
Venezia, 2024; paperback, pp. 126, col. ill., cm 15,5x24.
(Atti Scienze Fisiche. 181).
series: Atti Scienze Fisiche.
Subject: Essays (Art or Architecture),Glass
Period: 1400-1800 (XV-XVIII) Renaissance
Languages:
Weight: 0.21 kg
Marco Verità, Paola Santopadre, Andrea Cagnini and Simone Porcinai, Medieval italian gilded glasses decorated with cut and engraved gold leaf;
Rainald Franz, Diamond-point engraved and cold painted glass decoration in Austrian glass from the 16Th to the 17Th century: from Hall to Ambras to Vienna;
Eva Lenhart, Diamond-point engraving and lampworking: a covered goblet with Crucifixion group from the glass collection of Archduke Ferdinand II of Tyrol;
Alice Fuin, Reverse cold-painted renaissance glass: the relationship with prints and the importance of iconographic recognition for chronological hypotheses. Some case studies from the Murano Glass Museum collection;
Mauro Stocco, The reliquary of Burano in the Museo del Vetro of Murano.










