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DEAL OF THE DAY

Il ritratto equestre di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens

Edited by Zanelli Gianluca.
Genova, 2023; paperback, pp. 240, b/w and col. ill., cm 17x24.

cover price: € 35.00

Il ritratto equestre  di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens

Total price: € 35.00 € 102.00 add to cart carrello

Books included in the offer:

Il ritratto equestre di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens

Edited by Zanelli Gianluca.
Genova, 2023; paperback, pp. 240, b/w and col. ill., cm 17x24.

FREE (cover price: € 35.00)

Il ritratto equestre  di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens

Valerio Castello.

Torino, 2008; bound, pp. 301, b/w ill., 28 col. plates, cm 21,5x31.
(Archivi di Arte Antica).

FREE (cover price: € 45.00)

Valerio Castello.

L'Eredità Donata. Franco e Paolo Spinola e la Galleria di Palazzo Spinola

Genova, Palazzo Spinola, February 5 - May 24, 2009.
Genova, GALLERIA NAZIONALE DI PALAZZO SPINOLA, February 6 - May 24, 2009.
Edited by Simonetti F.
Torino, 2009; paperback, pp. 149, b/w and col. ill., tavv., cm 17x22.

FREE (cover price: € 22.00)

L'Eredità Donata. Franco e Paolo Spinola e la Galleria di Palazzo Spinola

chiudi

Andy Warhol. The Early Sixties. Paintings and Drawings 1961-1964

Hatje Cantz

Basel, Kunstmuseum, September 5, 2010 - January 23, 2011.
English Text.
Ostfildern, 2010; clothbound, pp. 244, 110 b/w ill., 120 col. ill., cm 24x30.

Other editions available: German Edition (ISBN: 3-7757-2650-0).

ISBN: 3-7757-2651-9 - EAN13: 9783775726511

Subject: Monographs (Painting and Drawing)

Period: 1800-1960 (XIX-XX) Modern Period

Languages:  english text  

Weight: 1.71 kg


Following a successful career as a commercial graphic designer, in the early sixties, Andy Warhol (1928-1987) decided to move on to work as a freelance artist. His focus, however, remained on the world of consumption and mass production. This publication illuminates Warhol's crucial early years-from 1961 to 1964-as a painter and draftsman. During this period, he gradually replaced his individual pictorial language with already medialized (and thus collective) image material as well as the mechanical production of pictures, thus calling into question some of modernity's fundamental categories. This volume examines this process based on numerous examples, such as the famous Campbell's Soup Cans and Dollar Bills, the Elvis and Liz series, the Death & Disaster pictures, and the Flowers cycle from 1964. Concentration on the drawings and paintings of the early years demonstrates the far-reaching significance of this oeuvre for art history

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci