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DEAL OF THE DAY

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

cover price: € 33.00

Arturo Martini. I capolavori

Total price: € 33.00 € 97.00 add to cart carrello

Books included in the offer:

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

FREE (cover price: € 33.00)

Arturo Martini. I capolavori

Studi su Arturo Martini. Per Ofelia

Edited by Matteo Ceriana and Claudia Gian Ferrari.
Milano, Atti del Covegno, 19 maggio 2008.
Milano, 2009; paperback, pp. 136, 97 b/w ill., cm 17x24.

FREE (cover price: € 29.00)

Studi su Arturo Martini. Per Ofelia

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

Genova, Palazzo Reale, April 16 - July 24, 2016.
Edited by Giuliana Ericani and Franceasco Leone.
Roma, 2016; paperback, pp. 306, col. ill., col. plates, cm 23x30.

FREE (cover price: € 35.00)

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

chiudi

Rivista di letteratura teatrale. 1. 2008

Fabrizio Serra Editore

Pisa, 2008; paperback, pp. 172, cm 17x24.
(Rivista di letteratura teatrale. Rivista annuale diretta da Pasquale Sabbatino e Piermario Vescovo. 1. 2008).

series: Rivista di letteratura teatrale

Other editions available: ISSN 1973-760.

Subject: Theatre

Languages:  italian text  

Weight: 0.56 kg


The title of this journal does not attempt to claim the supposed priority and self-sufficiency of the dramatic text considered as literature compared to the importance of performance (which would be out of place and time), but it reflects the desire and intent to establish an initial plan of comparison. "Rivista di letteratura teatrale", vaster in scope than dramatic literature or dramaturgy, is literature that refers to, represents, plans and comments on the theater in various ways and forms, in its many territorial and chronological inflexions. With this aim, the editorial board brings together the varied competences of scholars, historians of literature and performance, language historians and theater critics. The two most numerous groups are from the Universities of Naples and Venice where the project was originally conceived, with the idea that starting initially from the two most important homes of Italian theatrical tradition, the outlook can then expand without limits or restrictions.

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