Boldini e la Moda.
Ferrara, Palazzo dei Diamanti, February 16 - June 2, 2019.
Edited by Barbara Guidi and Guidi B.
Translation by Archer M.
Contributions by Virginia Hill.
Ferrara, 2019; bound, pp. 296, b/w and col. ill., cm 24x28.
cover price: € n.d.
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Books included in the offer:
Boldini e la Moda.
Ferrara, Palazzo dei Diamanti, February 16 - June 2, 2019.
Edited by Barbara Guidi and Guidi B.
Translation by Archer M.
Contributions by Virginia Hill.
Ferrara, 2019; bound, pp. 296, b/w and col. ill., cm 24x28.
FREE (cover price: € n.d.)
Le nuove boutique. Moda e design
Translation by Barcatta L.
Viareggio, 2005; bound, pp. 189, col. ill., col. plates, cm 24,5x29.
FREE (cover price: € 43.00)
Donna. Immagini del femminile da Boldini a oggi
Pescara, Museo d'Arte Moderna Vittoria Colonna, October 20, 2005 - January 23, 2006.
Milano, 2005; paperback, pp. 120, ill., cm 23x27.
(Biblioteca d'Arte).
FREE (cover price: € 28.00)
Miss Bell. Un dipinto di Giovanni Boldini nel Museo delle raccolte Frugone di Genova
Edited by Giubilei M. F. and Maione S.
Illustrations by Scuderi L.
Montecatini Terme, 2007; paperback, pp. 40, ill., cm 15x21.
(Sogno Intorno all'Opera. 8).
FREE (cover price: € 12.00)
Alta Moda, Grande Teatro
Torino, Venaria Reale, March 29 - September 14, 2014.
Edited by Capella M.
Torino, 2014; bound, pp. 184, b/w and col. ill., tavv., cm 17,5x25.
FREE (cover price: € 22.00)
The Brignoni Collection. 2. Catalogue of the Works
Edizioni Gabriele Mazzotta
Lugano, Galleria Gottardo, May 23 - August 25, 2007.
English Text.
Milano, 2007; hardback, pp. 140, 661 b/w ill., cm 24,5x28.
(The Brignoni Collection. Museo delle Culture. Città di Lugano. 2).
series: The Brignoni Collection. Museo delle Culture. Città di Lugano
ISBN: 88-202-1865-8 - EAN13: 9788820218652
Subject: Collections,Painting,Sculpture
Period: 1960- Contemporary Period
Places: Europe
Languages:
Weight: 1 kg
The exhibition, curated by Francesco Paolo Campione, director of the Lugano Museum of Cultures, is structured in three sections: the first represents the relationship between men, animals and the spiritual forces of nature; the second is dedicated to the relationship between men and their ancestors, the subject of the "good death" and the supranatural sphere; the third section focuses on some of the most important creative and expressive features of the works in exhibition. Each of these three areas is introduced by an object of exceptional importance, and which constitutes a kind of identifying element for the specific section. The artworks are put in contrast to one another through their stylistic assonances and dissonances, making the exhibition architecture even more intriguing also from an optical point of view. The set-up and especially the alternation of lights and shadows makes it possible to "reveal" details that are not visible at first sight, due to the strong expressiveness of the different objects taken as a whole.
Marcello Piacentini. Maestro di Edilizia cittadina e di Disegno urbano