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DEAL OF THE DAY

Boldini e la Moda.

Ferrara, Palazzo dei Diamanti, February 16 - June 2, 2019.
Edited by Barbara Guidi and Guidi B.
Translation by Archer M.
Contributions by Virginia Hill.
Ferrara, 2019; bound, pp. 296, b/w and col. ill., cm 24x28.

cover price: € n.d.

Boldini e la Moda.

Total price: € 96.00 € 195.00 add to cart carrello

Books included in the offer:

Boldini e la Moda.

Ferrara, Palazzo dei Diamanti, February 16 - June 2, 2019.
Edited by Barbara Guidi and Guidi B.
Translation by Archer M.
Contributions by Virginia Hill.
Ferrara, 2019; bound, pp. 296, b/w and col. ill., cm 24x28.

FREE (cover price: € n.d.)

Boldini e la Moda.

Le nuove boutique. Moda e design

Translation by Barcatta L.
Viareggio, 2005; bound, pp. 189, col. ill., col. plates, cm 24,5x29.

FREE (cover price: € 43.00)

Le nuove boutique. Moda e design

Donna. Immagini del femminile da Boldini a oggi

Pescara, Museo d'Arte Moderna Vittoria Colonna, October 20, 2005 - January 23, 2006.
Milano, 2005; paperback, pp. 120, ill., cm 23x27.
(Biblioteca d'Arte).

FREE (cover price: € 28.00)

Donna. Immagini del femminile da Boldini a oggi

Miss Bell. Un dipinto di Giovanni Boldini nel Museo delle raccolte Frugone di Genova

Edited by Giubilei M. F. and Maione S.
Illustrations by Scuderi L.
Montecatini Terme, 2007; paperback, pp. 40, ill., cm 15x21.
(Sogno Intorno all'Opera. 8).

FREE (cover price: € 6.00)

Miss Bell. Un dipinto di Giovanni Boldini nel Museo delle raccolte Frugone di Genova

Alta Moda, Grande Teatro

Torino, Venaria Reale, March 29 - September 14, 2014.
Edited by Capella M.
Torino, 2014; bound, pp. 184, b/w and col. ill., tavv., cm 17,5x25.

FREE (cover price: € 22.00)

Alta Moda, Grande Teatro

chiudi

HumanaMente (2011). Vol. 18: Weltbilder and philospphy

Edizioni ETS

Pisa, 2012; paperback, pp. 270, cm 14x21.
(HumanaMente. 18).

series: HumanaMente

ISBN: 88-467-3439-4 - EAN13: 9788846734396

Subject: Magazines

Languages:  italian text  

Weight: 0.6 kg


On approaching this issue of Humana.Mente, readers could maybe wonder why a theme such as that of Weltbild could be considered relevant for philosophy today. Of course, the debate on Weltbild, a term that can be translated in English as "world image" or "world picture", represented an important moment of the late-modern German-speaking philosophical debate, at least from the second half of the nineteenth century until the 1930s, before slowly fading out in the 1970s. From Wilhelm Dilthey to Edmund Husserl, from Max Weber to Martin Heidegger, passing through thinkers such as Franz Borkenau, Karl Jaspers, Ernst Cassirer and Ludwig Wittgenstein, until the works of Günther Anders and Hans Blumenberg, the idea of Weltbild and of what we can call the "family of concepts" related to it (such as Weltanschauung, Weltauffassung, Weltansicht, Lebensanschauung, etc.) seems to represent a characteristic element of the particular "philosophical Stimmung" of that specific epoch.

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