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DEAL OF THE DAY

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Perugia, Galleria Nazionale dell'Umbria, March 4 - June 11, 2023.
Edited by Picchiarelli V. and Pierini M.
Milano, 2023; bound, pp. 592, 650 col. ill., cm 24x21.

cover price: € 40.00

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Total price: € 40.00 € 249.90 add to cart carrello

Books included in the offer:

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Perugia, Galleria Nazionale dell'Umbria, March 4 - June 11, 2023.
Edited by Picchiarelli V. and Pierini M.
Milano, 2023; bound, pp. 592, 650 col. ill., cm 24x21.

FREE (cover price: € 40.00)

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Michele Rocca e la pittura rococo a Roma

Brescia, 2004; bound in a case, pp. 310, b/w and col. ill., tavv., cm 24,5x31,5.

FREE (cover price: € 180.00)

Michele Rocca e la pittura rococo a Roma

Cucinare per gli amici

Translation by S. Mancuso.
Milano, 2012; clothbound, pp. 269, ill., cm 21x26,5.
(Gli Illustrati).

FREE (cover price: € 29.90)

Cucinare per gli amici

chiudi

Inventing Past Narratives. Venice and the Adriatic Space (13th-15th Centuries)

Brepols Publishers

Edited by Ilaria Molteni, Valeria Russo.
English Text.
Turnhout, 2024; paperback, pp. 108, 10 b/w ill., 49 col. ill., cm 21x27.
(Convivium Supplementum. 14).

series: Convivium Supplementum.

ISBN: 80-280-0464-4 - EAN13: 9788028004644

Subject: Magazines

Languages:  english text  

Weight: 0 kg


By the late Middle Ages, Venice became the main stage of a national and international myth: while enhancing its historical role in the past, the city tried to demonstrate the legitimacy of its role in the present. In fact, for celebrating its triumph and erasing its weaknesses and defeats, Venice generated a rich repertoire of past narratives that were bringing together heterogeneous materials, by composing unconnected pieces and attributing new meanings to different histories or objects from other pasts. An ambitious goal had to be achieved: that of creating the impression of a unique and grandiose city whose roots were lost in a remote and magnificent past. The result is a patchwork that, through the longue durée approach, has been articulated around both new and ancient stories, local and foreign myths, reconstructed or rediscovered objects and narratives. In order to investigate more precisely the trajectories of the Venetian past narratives, this volume intends to determine, through an interdisciplinary prism, which are the different strategies, objectives, and resources that have been exploited in the framework of these past narratives.

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