Rogier van der Weyden. St. Luke Drawing the Virgin. Selected Essays in Context

C.J. Purtle, Rogier's St. Luke at the Crossroads, D. Apostopoulos-Cappadona, Picturing Devotion: Rogier's St. Luke Drawing the Virgin, A.G. Kann, Rogier's St. Luke: Portrait of the Artist or Portrait of the Historian?, R. Spronk & R. MacBeth, Rogier's St. Luke Drawing the Virgin in the Laboratory: Findings from Technical Examinations and Some Art Historical Implications, A. Acres, Luke, Rolin and Seeing Relationships, E.M. White, Rogier van der Weyden, Hugo van der Goes and the Making of the Netherlandish St. Luke Tradition, C. Eisler, Comments, M.A. Faries, The Infrared Studies of Rogier van der Weyden's St. Luke Drawing the Virgin: Stages of Investigation and Perception, J.H. Marrow, Artistic Identity in Early Netherlandish Painting: The Place of Rogier van der Weyden's St. Luke Drawing the Virgin and Child, T. Borchert, Rogier's St. Luke: A Case of Corporate Identity?, R. Newman, The Painting Materials Used by Rogier van der Weyden in St. Luke Drawing the Virgin. Appendix I: Correspondence concerning the work from the files of the Museum of Fine Arts, Boston. Appendix II: Reprint of 'A Record of Restoration', Helmut Ruhemann. Bibliography.