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DEAL OF THE DAY

Il ritratto equestre di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens

Edited by Zanelli Gianluca.
Genova, 2023; paperback, pp. 240, b/w and col. ill., cm 17x24.

cover price: € 35.00

Il ritratto equestre  di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens

Total price: € 35.00 € 102.00 add to cart carrello

Books included in the offer:

Il ritratto equestre di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens

Edited by Zanelli Gianluca.
Genova, 2023; paperback, pp. 240, b/w and col. ill., cm 17x24.

FREE (cover price: € 35.00)

Il ritratto equestre  di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens

Valerio Castello.

Torino, 2008; bound, pp. 301, b/w ill., 28 col. plates, cm 21,5x31.
(Archivi di Arte Antica).

FREE (cover price: € 45.00)

Valerio Castello.

L'Eredità Donata. Franco e Paolo Spinola e la Galleria di Palazzo Spinola

Genova, Palazzo Spinola, February 5 - May 24, 2009.
Genova, GALLERIA NAZIONALE DI PALAZZO SPINOLA, February 6 - May 24, 2009.
Edited by Simonetti F.
Torino, 2009; paperback, pp. 149, b/w and col. ill., tavv., cm 17x22.

FREE (cover price: € 22.00)

L'Eredità Donata. Franco e Paolo Spinola e la Galleria di Palazzo Spinola

chiudi

Heike Hanada, Uwe Schroder. Rome Berlin Rome

Aiòn Edizioni

Roma, Galleria Dell’accademia Tedesca, February 25 - March 4, 2022.
Photographs by Aldo Amoretti.
Italian and English Text.
Firenze, 2023; paperback, pp. 64, col. ill., cm 14x20.
(Imago).

series: Imago

EAN13: 9791280723253

Subject: Essays (Art or Architecture)

Languages:  english, italian text   english, italian text  

Weight: 0 kg


2070: Architecture has turned its back on the surrounding countryside. The city is again the subject of void and solid. Monumental buildings enter the city from its periphery. They are virtually waiting on the sidelines, waiting to take the urban stage. From the edges, the unity of the city is defined. Island and archipelago-like dense forests crisscross its area. They are like sunlit openings of the forest. As voids, they are counterworlds to the solids of the city; with them, the horti conclusi reemerge in the city of the 21st century. They form internal peripheries that interrupt the urban continuum of time, memory, and recollection. Like the Tiergarten in Berlin or the Giardino Villa Borghese, those voids grant nature its own space in the city. In a romantic sense, they become places of phantasmagoria and vagabond memory, all that is not fitting for man himself.

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