Giorgio De Chirico. Il volto della metafisica.
Genova, Palazzo Ducale, March 29 - July 7, 2019.
Edited by Noel-Johnson V.
Milano, 2019; bound, pp. 246, col. ill., cm 24x29.
(Arte Moderna. Cataloghi).
cover price: € n.d.
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Books included in the offer:
Giorgio De Chirico. Il volto della metafisica.
Genova, Palazzo Ducale, March 29 - July 7, 2019.
Edited by Noel-Johnson V.
Milano, 2019; bound, pp. 246, col. ill., cm 24x29.
(Arte Moderna. Cataloghi).
FREE (cover price: € n.d.)
Giorgio de Chirico. Nulla Sine Tragoedia Gloria
Atti del Convegno Internazionale di Studi - Auditorium Dell'Iri, Roma, October 15 - October 16, 1999.
Edited by Claudio Crescentini and Crescentini C.
Co-Editore: Associazione Culturale Shakespeare and Company 2.
Montecatini Terme, 2002; paperback, pp. 504, 188 b/w ill., 21 col. plates, cm 21x30.
(Shakespeare and Company. 2).
FREE (cover price: € 75.00)
Mutazioni. Segni e sogni del XX secolo. Da de Chirico a de Maria
Gavirate, Chiostro di Voltorre, February 23 - April 27, 2003.
Milano, 2003; paperback, pp. 108, ill., tavv., cm 16x22,5.
(Biblioteca d'Arte).
FREE (cover price: € 18.00)
Georges Rouault, Giorgio De Chirico
Mosummano Terme, Villa Renatico Martini, November 23, 2003 - February 15, 2004.
Lyon, La Spirale, October 4 - October 31, 2004.
Edited by Cassinelli P., Giori M. and Viggiano D.
Italian and French Text.
Ospedaletto, 2004; paperback, pp. 150, b/w ill., b/w plates, cm 17x24.
FREE (cover price: € 13.00)
Photography. The Origins 1839-1890. History of Photography. Vol. 1
Zanot Francesco - Bajac Quentin - Siegel Elizabeth
Skira
English Text.
Milano, 2011; clothbound, pp. 304, 400 b/w and col. ill., 400 b/w and col. plates, cm 21x28.
series: Fotografia
Other editions available: Edizione Italiana (ISBN: 88-572-0717-X).
ISBN: 88-572-0718-8 - EAN13: 9788857207186
Subject: Photography
Languages:
Weight: 1.68 kg
The first volume (1839 - 1890) of the History of Photography series considers the years of the invention of photography and those immediately following;
extraordinary years from both the point of view of history and of the development of the inventions, and also from that of its first distribution and the works realized.
From the great early forebears, like Daguerre and Talbot to the great photographic expeditions that placed the world before the eyes of an ever-increasing number of people. This first volume also stresses the fundamental links between photography and the world of science, with anthropology and all the disciplines and aspects of society. The volume concludes with the reading of the events characterizing the relationship between photography and the traditional artistic disciplines, a point of fundamental important in the development of a photographic language.
From Oscar Rejlander to Henry Peach Robinson, from the protagonists of the early period of pictorialism, to Degas and Michetti, the discussion concerning the status of photography is from the outset one of the crucial themes around which the thinking of both photographers, scholars and critics developed (including Baudelaire and his famous "excommunication" of photography as art).










