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DEAL OF THE DAY

Beato Angelico. Ediz. a colori

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; hardback, pp. 440, 300 col. ill., cm 25,2x29,8.

cover price: € 80.00

Beato Angelico. Ediz. a colori

Total price: € 80.00 € 189.00 add to cart carrello

Books included in the offer:

Beato Angelico. Ediz. a colori

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; hardback, pp. 440, 300 col. ill., cm 25,2x29,8.

FREE (cover price: € 80.00)

Beato Angelico. Ediz. a colori

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Ospedaletto, 2007; bound, pp. 320, col. ill., col. plates, cm 25,5x29.

FREE (cover price: € 77.00)

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Segni dell'Eucarestia

Edited by M. Luisa Polichetti.
Ancona, Osimo, Loreto Jesi, Senigallia, Fabriano e Metelica, 23 giugno - 31 ottobre 2011.
Torino, 2011; paperback, pp. 221, b/w and col. ill., cm 24x28.

FREE (cover price: € 32.00)

Segni dell'Eucarestia

chiudi

Edi Hila edited by Anri Sala. Ediz. multilingue

Mousse Publishing

Edited by Anri Sala.
Italian and English Text.
Milano, 2026; hardback, pp. 208, col. ill., cm 16,8x22.

ISBN: 88-6749-742-1 - EAN13: 9788867497423

Subject: Monographs (Painting and Drawing),Painting

Period: 1960- Contemporary Period

Languages:  english, italian text   english, italian text  

Weight: 0.615 kg


This publication, conceived by museo Madre, is more than a simple book; it is an artists' book in which Anri Sala interacts with the corpus of paintings by Edi Hila. As Eva Fabbris, the Director of museo Madre, points out in her brief essay, Sala engages Hila's work in a contemplative and cinematic way, allowing the historical and political consciousness the two share to surface gradually through the sequencing of images. Born thirty years apart in Albania, Hila and Sala share not only a geography but a historical condition. Both were formed at the Academy of Arts in Tirana-Hila as a student and later a professor, and Sala as part of the generation that encountered the institution at the threshold of the regime's collapse. If Hila's early career unfolded under the strictures of Socialist Realism and direct censorship, Sala's began in the vacuum that followed its dissolution.

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