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DEAL OF THE DAY

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.

cover price: € 80.00

Beato Angelico

Total price: € 80.00 € 189.00 add to cart carrello

Books included in the offer:

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.

FREE (cover price: € 80.00)

Beato Angelico

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Ospedaletto, 2007; bound, pp. 320, col. ill., col. plates, cm 25,5x29.

FREE (cover price: € 77.00)

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Segni dell'Eucarestia

Edited by M. Luisa Polichetti.
Ancona, Osimo, Loreto Jesi, Senigallia, Fabriano e Metelica, 23 giugno - 31 ottobre 2011.
Torino, 2011; paperback, pp. 221, b/w and col. ill., cm 24x28.

FREE (cover price: € 32.00)

Segni dell'Eucarestia

chiudi

Alexander Rodchenko

Skira

Lugano, Museo d'Arte della Svizzera Italiana, February 27 - May 8, 2016.
Italian and English Text.
Milano, 2016; hardback, pp. 232, b/w and col. ill., cm 22,5x28,5.

ISBN: 88-572-3175-5 - EAN13: 9788857231754

Subject: Photography

Period: 1960- Contemporary Period

Languages:  english, italian text   english, italian text  

Weight: 0.57 kg


Aleksandr Rodchenko was one of the main generators of creative ideas during the extraordinary time of the Russian avant-garde movements, and he perfectly reflected its spiritual atmosphere. In 1924, photography was "invaded" by Aleksandr Rodchenko. The result of this invasion was a fundamental rethinking on the nature of photography and the role of the photographer. With the introduction of conceptual thought, the photograph changed from being a mere reflection of reality to a means of visually representing dynamic intellectual constructions. Throughout the entire history of Russian photography in the first half of the twentieth century, Aleksandr Rodchenko is the only figure to have left us exclusive traces through the publication of articles and diaries: they are the artistic reflections of a thinker-photographer, the witness to a historic cataclysm that generated a tragic conflict in him between conscious supposition and the unconscious creative drive.

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci