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DEAL OF THE DAY

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

cover price: € 33.00

Arturo Martini. I capolavori

Total price: € 33.00 € 97.00 add to cart carrello

Books included in the offer:

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

FREE (cover price: € 33.00)

Arturo Martini. I capolavori

Studi su Arturo Martini. Per Ofelia

Edited by Matteo Ceriana and Claudia Gian Ferrari.
Milano, Atti del Covegno, 19 maggio 2008.
Milano, 2009; paperback, pp. 136, 97 b/w ill., cm 17x24.

FREE (cover price: € 29.00)

Studi su Arturo Martini. Per Ofelia

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

Genova, Palazzo Reale, April 16 - July 24, 2016.
Edited by Giuliana Ericani and Franceasco Leone.
Roma, 2016; paperback, pp. 306, col. ill., col. plates, cm 23x30.

FREE (cover price: € 35.00)

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

chiudi

Alexander Rodchenko

Skira

Lugano, Museo d'Arte della Svizzera Italiana, February 27 - May 8, 2016.
Italian and English Text.
Milano, 2016; hardback, pp. 232, b/w and col. ill., cm 22,5x28,5.

ISBN: 88-572-3175-5 - EAN13: 9788857231754

Subject: Photography

Period: 1960- Contemporary Period

Languages:  english, italian text   english, italian text  

Weight: 0.57 kg


Aleksandr Rodchenko was one of the main generators of creative ideas during the extraordinary time of the Russian avant-garde movements, and he perfectly reflected its spiritual atmosphere. In 1924, photography was "invaded" by Aleksandr Rodchenko. The result of this invasion was a fundamental rethinking on the nature of photography and the role of the photographer. With the introduction of conceptual thought, the photograph changed from being a mere reflection of reality to a means of visually representing dynamic intellectual constructions. Throughout the entire history of Russian photography in the first half of the twentieth century, Aleksandr Rodchenko is the only figure to have left us exclusive traces through the publication of articles and diaries: they are the artistic reflections of a thinker-photographer, the witness to a historic cataclysm that generated a tragic conflict in him between conscious supposition and the unconscious creative drive.

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