Boldini e la Moda.
Ferrara, Palazzo dei Diamanti, February 16 - June 2, 2019.
Edited by Barbara Guidi and Guidi B.
Translation by Archer M.
Contributions by Virginia Hill.
Ferrara, 2019; bound, pp. 296, b/w and col. ill., cm 24x28.
cover price: € n.d.
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Books included in the offer:
Boldini e la Moda.
Ferrara, Palazzo dei Diamanti, February 16 - June 2, 2019.
Edited by Barbara Guidi and Guidi B.
Translation by Archer M.
Contributions by Virginia Hill.
Ferrara, 2019; bound, pp. 296, b/w and col. ill., cm 24x28.
FREE (cover price: € n.d.)
Le nuove boutique. Moda e design
Translation by Barcatta L.
Viareggio, 2005; bound, pp. 189, col. ill., col. plates, cm 24,5x29.
FREE (cover price: € 43.00)
Donna. Immagini del femminile da Boldini a oggi
Pescara, Museo d'Arte Moderna Vittoria Colonna, October 20, 2005 - January 23, 2006.
Milano, 2005; paperback, pp. 120, ill., cm 23x27.
(Biblioteca d'Arte).
FREE (cover price: € 28.00)
Miss Bell. Un dipinto di Giovanni Boldini nel Museo delle raccolte Frugone di Genova
Edited by Giubilei M. F. and Maione S.
Illustrations by Scuderi L.
Montecatini Terme, 2007; paperback, pp. 40, ill., cm 15x21.
(Sogno Intorno all'Opera. 8).
FREE (cover price: € 6.00)
Alta Moda, Grande Teatro
Torino, Venaria Reale, March 29 - September 14, 2014.
Edited by Capella M.
Torino, 2014; bound, pp. 184, b/w and col. ill., tavv., cm 17,5x25.
FREE (cover price: € 22.00)
Bare Witness: photographs by Gordon Parks
Strange Maren
Skira
Canto Center, Standford, California, march 21, july 1, 2007.
English Text.
Milano, 2007; hardback, pp. 112, 73 b/w ill., 6 col. ill., cm 24x28.
ISBN: 88-7624-802-1 - EAN13: 9788876248023
Subject: Photography
Languages:
Weight: 0.96 kg
Novelist, memoirist, poet, film director, choreographer, and musician, Gordon Parks (1912-2006) was renowned as a man of many talents. He is best known as a photographer, a career he took up in the 1930s. Starting with fashion and portraiture, he honed his skill and his passion for documenting social ills working for the New Deal's Farm Security Administration. During World War II he became the first black photographer employed by the War Office of Information. After the war, he became Life magazine's first black staff photographer and established an international reputation publishing images and photo-essays that helped transform and liberalize American society by informing Americans about the plight of the urban poor.
Maren Stange, an authority on documentary photography, provides an introduction to his work, surveying his career and analyzing the distinguish qualities of his compelling images.
This catalogue accompanies the traveling exhibition organized by the Iris & B. Gerald Cantor Center for Visual Arts at Stanford University.











