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DEAL OF THE DAY

Boldini e la Moda.

Ferrara, Palazzo dei Diamanti, February 16 - June 2, 2019.
Edited by Barbara Guidi and Guidi B.
Translation by Archer M.
Contributions by Virginia Hill.
Ferrara, 2019; bound, pp. 296, b/w and col. ill., cm 24x28.

cover price: € n.d.

Boldini e la Moda.

Total price: € 96.00 € 195.00 add to cart carrello

Books included in the offer:

Boldini e la Moda.

Ferrara, Palazzo dei Diamanti, February 16 - June 2, 2019.
Edited by Barbara Guidi and Guidi B.
Translation by Archer M.
Contributions by Virginia Hill.
Ferrara, 2019; bound, pp. 296, b/w and col. ill., cm 24x28.

FREE (cover price: € n.d.)

Boldini e la Moda.

Le nuove boutique. Moda e design

Translation by Barcatta L.
Viareggio, 2005; bound, pp. 189, col. ill., col. plates, cm 24,5x29.

FREE (cover price: € 43.00)

Le nuove boutique. Moda e design

Donna. Immagini del femminile da Boldini a oggi

Pescara, Museo d'Arte Moderna Vittoria Colonna, October 20, 2005 - January 23, 2006.
Milano, 2005; paperback, pp. 120, ill., cm 23x27.
(Biblioteca d'Arte).

FREE (cover price: € 28.00)

Donna. Immagini del femminile da Boldini a oggi

Miss Bell. Un dipinto di Giovanni Boldini nel Museo delle raccolte Frugone di Genova

Edited by Giubilei M. F. and Maione S.
Illustrations by Scuderi L.
Montecatini Terme, 2007; paperback, pp. 40, ill., cm 15x21.
(Sogno Intorno all'Opera. 8).

FREE (cover price: € 6.00)

Miss Bell. Un dipinto di Giovanni Boldini nel Museo delle raccolte Frugone di Genova

Alta Moda, Grande Teatro

Torino, Venaria Reale, March 29 - September 14, 2014.
Edited by Capella M.
Torino, 2014; bound, pp. 184, b/w and col. ill., tavv., cm 17,5x25.

FREE (cover price: € 22.00)

Alta Moda, Grande Teatro

chiudi

Miracle, plays, moralities and interludes. Medieval drama attuned the times

Milella

Lecce, 1997; paperback, pp. 120.
(Fuori Collana).

series: Fuori Collana

ISBN: 88-7048-307-X - EAN13: 9788870483079

Period: 1000-1400 (XII-XIV) Middle Ages

Languages:  italian text  

Weight: 0.58 kg


The prime objective of this book is to make medieval drama accessible, and therefore enjoyable, also to students of English as a foreign language. All too often this vital part of the curriculum is reduced to a minimum due to the barrier of Middle English. My first book on the subject, Folklore and Faith in the Cycle Plays, I was an attempt to get round this difficulty, but limited to the miracle plays of the York cycle. Its main merit is to have created an atmosphere in which to present key passages in the context of the plays themselves. The interest shown by the students, and the insight it gave them into appreciating English drama and culture as a whole, made me wonder, why not give them the experience of knowing and even performing a whole play? of feeling for themselves the difference between a miracle play, a morality and an interlude? and the evolution from one to the other?

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