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DEAL OF THE DAY

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

cover price: € 160.00

Felice Palma. Massa 1583-1625. Collezione / Collection.

Total price: € 160.00 € 314.49 add to cart carrello

Books included in the offer:

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

FREE (cover price: € 160.00)

Felice Palma. Massa 1583-1625. Collezione / Collection.

Le botteghe del marmo

Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).

FREE (cover price: € 34.49)

Le botteghe del marmo

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).

FREE (cover price: € 30.00)

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Bronzetti e Rilievi dal XV al XVIII Secolo

Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.

FREE (cover price: € 90.00)

Bronzetti e Rilievi dal XV al XVIII Secolo

chiudi

Linguistic analysis in literary appreciation. An approach through feeling

Milella

Lecce, 1995; paperback, pp. 390.
(Fuori Collana).

series: Fuori Collana

ISBN: 88-7048-282-0 - EAN13: 9788870482829

Places: Europe

Languages:  italian text  

Weight: 1.87 kg


"The key to this linguistic approach to literary appreciation is the firm belief that in whatever we read, there can be but one interpretation: the one willed by the author. If the author is to convey what he feels, it is not enough for him to describe it: he must provoke a reaction which will evoke that self-same feeling in the reader. He must use all the means in his power to evoke that feeling. In the words of John Middleton Murry: 'to communicate an emotion is to impose an emotion' I The effort the author makes is immense: the more strongly he feels about something, the more intense the emotion, the greater his need to share it, and the greater the effort he must make.
We know that in order to share his experience with mankind the author is writing all the time at different levels, establishing different points of contact with different people and a personal relationship throughout with each. For us, this experience begins the moment we feel the impulse to read the work: Whatever urged us to do so is our point of contact with the author."

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