Beato Angelico
Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.
cover price: € 80.00
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Books included in the offer:
Beato Angelico
Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.
FREE (cover price: € 80.00)
Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento
Ospedaletto, 2007; bound, pp. 320, col. ill., col. plates, cm 25,5x29.
FREE (cover price: € 77.00)
Segni dell'Eucarestia
Edited by M. Luisa Polichetti.
Ancona, Osimo, Loreto Jesi, Senigallia, Fabriano e Metelica, 23 giugno - 31 ottobre 2011.
Torino, 2011; paperback, pp. 221, b/w and col. ill., cm 24x28.
FREE (cover price: € 32.00)
The Temptations of Flora. Jan Van Huysum. 1682-1749
Segal Sam. Ellens Mariël. Dick Joris
Waanders Uitgevers
English Text.
Zwolle, 2007; clothbound, pp. 390, b/w and col. ill., col. plates, cm 25x29.
Other editions available: Dutch Edition also Available. (ISBN: 90-400-8260-X).
ISBN: 90-400-8384-3 - EAN13: 9789040083846
Subject: Monographs (Painting and Drawing)
Period: 1400-1800 (XV-XVIII) Renaissance
Places: Europe
Languages:
Weight: 2.2 kg
The Amsterdam artist Jan van Huysum (1682-1749) is one of the most important painters of fruit and flowers of all time. His work conveys unsurpassed craftsmanship, a deep attention for the subject matter as well as great refinement and subtlety. He was the best paid painter of the eighteenth century and was regarded as one of the pre-eminent artists of his time. He received commissions from many of Europe's monarchs and aristocracy, received great acclaim during his lifetime and his work has also remained highly appreciated and expensive. His influence on European still-life art remained noticeable for at least a century after his death.
De verleiding van Flora focuses on Jan van Huysum's life, family and background. At the same time his predecessors and followers come to the fore, while attention is given to symbolism, false and genuine, and the numerous wrong attributions and technical aspects of his work.









