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DEAL OF THE DAY

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

cover price: € 160.00

Felice Palma. Massa 1583-1625. Collezione / Collection.

Total price: € 160.00 € 314.49 add to cart carrello

Books included in the offer:

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

FREE (cover price: € 160.00)

Felice Palma. Massa 1583-1625. Collezione / Collection.

Le botteghe del marmo

Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).

FREE (cover price: € 34.49)

Le botteghe del marmo

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).

FREE (cover price: € 30.00)

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Bronzetti e Rilievi dal XV al XVIII Secolo

Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.

FREE (cover price: € 90.00)

Bronzetti e Rilievi dal XV al XVIII Secolo

chiudi

Jean-Francois Millet. Le Portrait de Charles André Langevin

Somogy Editions d'Art

Paris, 2011; paperback, pp. 32, b/w and col. ill., cm 14x21,5.

ISBN: 2-7572-0490-4 - EAN13: 9782757204900

Subject: Monographs (Painting and Drawing)

Period: 1800-1960 (XIX-XX) Modern Period

Languages:  italian text  

Weight: 0.116 kg


Le Portrait de Charles André Langevin, peint en 1845 par Jean-François Millet (1814-1875), entre dans les collections du musée en 1902 grâce au legs de Madame Langevin-Bazan. Connu avant tout pour ses talents de paysagiste et son rôle fondateur dans l'école de Barbizon, Millet a peu pratiqué le genre du portrait, qui correspond essentiellement à une production de jeunesse. L'artiste poursuit sa formation de peintre à Cherbourg, où il vit jusqu'en 1845, avant de séjourner au Havre.
Ces quelques années donnent lieu à la réalisation de portraits de notables cherbourgeois et havrais, mais également de portraits plus intimes, notamment de sa jeune épouse, Pauline Ono.

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci