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DEAL OF THE DAY

De Nittis e la rivoluzione dello sguardo.

Ferrara, Palazzo dei Diamanti, December 1, 2019 - April 13, 2020.
Edited by Pacelli M. L., Guidi B. and Pinet Hélène.
Translation by Archer M.
Ferrara, 2019; bound, pp. 288, col. ill., cm 24x29.

cover price: € 48.00

De Nittis e la rivoluzione dello sguardo.

Total price: € 48.00 € 120.00 add to cart carrello

Books included in the offer:

De Nittis e la rivoluzione dello sguardo.

Ferrara, Palazzo dei Diamanti, December 1, 2019 - April 13, 2020.
Edited by Pacelli M. L., Guidi B. and Pinet Hélène.
Translation by Archer M.
Ferrara, 2019; bound, pp. 288, col. ill., cm 24x29.

FREE (cover price: € 48.00)

De Nittis e la rivoluzione dello sguardo.

De Nittis. Peppino e il ventaglio magico

Roma, chiostro del Bramante, November 13, 2004 - February 27, 2005.
Milano, Fondazione Antonio Mazzotta, primavera 2005.
Milano, 2005; bound, pp. 100, ill., cm 16x22.
(Ragazzi).

FREE (cover price: € 14.00)

De Nittis. Peppino e il ventaglio magico

Donna. Immagini del femminile da Boldini a oggi

Pescara, Museo d'Arte Moderna Vittoria Colonna, October 20, 2005 - January 23, 2006.
Milano, 2005; paperback, pp. 120, ill., cm 23x27.
(Biblioteca d'Arte).

FREE (cover price: € 28.00)

Donna. Immagini del femminile da Boldini a oggi

Firenze capitale (1865-2015). I doni e le collezioni del Re

Firenze, Galleria d'Arte Moderna - Appartamento della Duchessa d' Aosta, November 19, 2015 - April 3, 2016.
Edited by Condemi S.
Livorno, 2015; paperback, pp. 351, b/w and col. ill., b/w and col. plates, cm 24,5x28,5.

FREE (cover price: € 30.00)

Firenze capitale (1865-2015). I doni e le collezioni del Re

chiudi

Medieval Coins and Seals. Constructing Identity, Signifying Power

Brepols Publishers

English Text.
Turnhout, 2015; clothbound, pp. 547, 296 b/w ill., 42 col. ill., cm 21x28.

ISBN: 2-503-54344-8 - EAN13: 9782503543444

Subject: Numismatics

Period: 1000-1400 (XII-XIV) Middle Ages

Languages:  english text  

Weight: 0.36 kg


Medieval Coins and Seals: Constructing Identity, Signifying Power showcases these objects as intrinsic and highly significant aspects of medieval visual culture, and contributes to an understanding of the many ways in which they functioned as conveyors of meaning in Western European, Islamic, and Byzantine cultures from the fifth to the fifteenth century. The essays presented here, by art historians, numismatists, sigillographers, and historians on a wide variety of coins and seals, afford fresh insight into these tantalizing relics of medieval art and the vibrant cultural roles they played at the time of their creation. Through their images and inscriptions, they conveyed complex cultural attitudes by means of sophisticated visual strategies carefully constructed to further the subjective agendas of rulers and ? in the case of seals ? of aristocrats, ordinary individuals, towns, corporations, and government officials. The messages conveyed by these tightly controlled objects were, above all, ones of authority, identity, and legitimacy, with goals or subtexts that included the politics of self- presentation; the construction of personal, civic, national and cultural identity; the advertisement of dynastic succession; and much more. As forceful modes of visual discourse designed to carry calculated, at times propagandistic, communications to broadly dispersed audiences, coins and seals actively served during these centuries as sociocultural agents that helped mold public opinion (as they had in antiquity), and thereby shaped the medieval world.

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