Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Charlotte Posenenske 1930-1985
Renate Wiehager
Hatje Cantz
German Text.
Ostfildern, 2009; hardback, pp. 216, 410 b/w and col. ill., cm 25x30.
Other editions available: English Edition (ISBN: 3-7757-2363-3).
ISBN: 3-7757-2362-5 - EAN13: 9783775723626
Subject: Monographs (Sculpture and Decorative Arts)
Languages:
Weight: 1.42 kg
Charlotte Posenenske began producing abstract paintings in primary colors in the late fifties. She later bent sheet aluminum or produced objects made out of square tubing for public spaces and performances. These extremely reduced three-dimensional works, with which her name is closely associated today, were all created in the brief period between 1966 and 1968. In 1968, Charlotte Posenenske completely ceased all of her sculptural activities "for political reasons," as it was generally put-but which was also artistically consistent.










