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DEAL OF THE DAY

Il ritratto equestre di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens

Edited by Zanelli Gianluca.
Genova, 2023; paperback, pp. 240, b/w and col. ill., cm 17x24.

cover price: € 35.00

Il ritratto equestre  di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens

Total price: € 35.00 € 102.00 add to cart carrello

Books included in the offer:

Il ritratto equestre di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens

Edited by Zanelli Gianluca.
Genova, 2023; paperback, pp. 240, b/w and col. ill., cm 17x24.

FREE (cover price: € 35.00)

Il ritratto equestre  di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens

Valerio Castello.

Torino, 2008; bound, pp. 301, b/w ill., 28 col. plates, cm 21,5x31.
(Archivi di Arte Antica).

FREE (cover price: € 45.00)

Valerio Castello.

L'Eredità Donata. Franco e Paolo Spinola e la Galleria di Palazzo Spinola

Genova, Palazzo Spinola, February 5 - May 24, 2009.
Genova, GALLERIA NAZIONALE DI PALAZZO SPINOLA, February 6 - May 24, 2009.
Edited by Simonetti F.
Torino, 2009; paperback, pp. 149, b/w and col. ill., tavv., cm 17x22.

FREE (cover price: € 22.00)

L'Eredità Donata. Franco e Paolo Spinola e la Galleria di Palazzo Spinola

chiudi

Charlotte Posenenske 1930-1985

Hatje Cantz

German Text.
Ostfildern, 2009; hardback, pp. 216, 410 b/w and col. ill., cm 25x30.

Other editions available: English Edition (ISBN: 3-7757-2363-3).

ISBN: 3-7757-2362-5 - EAN13: 9783775723626

Subject: Monographs (Sculpture and Decorative Arts)

Languages:  deutsch text  

Weight: 1.42 kg


In the sixties, the German artist Charlotte Posenenske (1930-1985) produced groundbreaking sculptures and reliefs: they are in part accessible, arbitrarily reproducible, freely positionable in space, and made from industrial paints as well as "needy" materials, such as pressboard, corrugated cardboard, or sheet metal. Her Minimalist works of art are now included in prominent art collections around the world, and yet until the presentation of several of her works at documenta 12 in Kassel in 2007, only circles of experts were familiar with the artist.
Charlotte Posenenske began producing abstract paintings in primary colors in the late fifties. She later bent sheet aluminum or produced objects made out of square tubing for public spaces and performances. These extremely reduced three-dimensional works, with which her name is closely associated today, were all created in the brief period between 1966 and 1968. In 1968, Charlotte Posenenske completely ceased all of her sculptural activities "for political reasons," as it was generally put-but which was also artistically consistent.

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci