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DEAL OF THE DAY

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

cover price: € n.d.

L'ora dello spettatore. Come le immagini ci usano.

Total price: € 40.00 € 144.00 add to cart carrello

Books included in the offer:

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

FREE (cover price: € n.d.)

L'ora dello spettatore. Come le immagini ci usano.

Caravaggio. La Bottega del Genio

Roma, Museo Nazionale del Palazzo di Venezia - Sale Quattrocentesche, December 22, 2010 - May 29, 2011.
Edited by Falucci C.
Roma, 2010; paperback, pp. 118, b/w and col. ill., tavv., cm 24x28.
(Cataloghi Mostre. 49).

FREE (cover price: € 48.00)

Caravaggio. La Bottega del Genio

Caravaggio. La Cappella Contarelli

Roma, Palazzo Venezia, March 10 - October 15, 2011.
Edited by M. Cardinali and De Ruggieri M. B.
Roma, 2011; paperback, pp. 150, 60 b/w ill., 60 col. ill., 60 b/w plates, col. plates, cm 24x28.
(Cataloghi Mostre. 50).

FREE (cover price: € 56.00)

Caravaggio. La Cappella Contarelli

chiudi

Gael Stack

University of Texas Press

Austin, 2011; hardback, pp. 216, b/w and col. ill., cm 26,5x30.

ISBN: 0-292-72854-9 - EAN13: 9780292728547

Subject: Monographs (Painting and Drawing)

Period: 1960- Contemporary Period

Languages:  italian text  

Weight: 1.56 kg


An artist whose work evokes both memory and the "gaps, sinkholes, and other chasms" found in our experiences, Gael Stack is one of the most accomplished American painters working today. Her large canvases and smaller drawings use fragments of words and images, often layered over one another like a palimpsest, to create a visual language that explores the past's implacable hold on the present, with what is unknown and unspoken occasionally poking through. Serendipitous elements of graciousness and optimism also distinguish her recent work.

Gael Stack is the first retrospective monograph on the artist's career, which has spanned four decades. It features a catalog of some one hundred works reproduced in full-color, full-page plates. Accompanying the images are essays by Raphael Rubinstein and Alison de Lima Greene, who discuss Stack's work in the context of world art. Rubinstein likens her paintings to Freud's "mystic writing-pad," a surface layer that can be endlessly written upon, erased, and refilled, while the underlying tablet retains traces of all that has been written--an apt metaphor for the workings of perception and memory. Greene also reflects on the theme of memory in Stack's art, particularly the ways in which memory can evolve into forgetfulness and cognizance can become ignorance. Lists of selected exhibitions and public collections in which her work has been featured and a bibliography complete this authoritative survey of Stack's career.

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci