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DEAL OF THE DAY

Boldini e la Moda.

Ferrara, Palazzo dei Diamanti, February 16 - June 2, 2019.
Edited by Barbara Guidi and Guidi B.
Translation by Archer M.
Contributions by Virginia Hill.
Ferrara, 2019; bound, pp. 296, b/w and col. ill., cm 24x28.

cover price: € n.d.

Boldini e la Moda.

Total price: € 96.00 € 201.00 add to cart carrello

Books included in the offer:

Boldini e la Moda.

Ferrara, Palazzo dei Diamanti, February 16 - June 2, 2019.
Edited by Barbara Guidi and Guidi B.
Translation by Archer M.
Contributions by Virginia Hill.
Ferrara, 2019; bound, pp. 296, b/w and col. ill., cm 24x28.

FREE (cover price: € n.d.)

Boldini e la Moda.

Le nuove boutique. Moda e design

Translation by Barcatta L.
Viareggio, 2005; bound, pp. 189, col. ill., col. plates, cm 24,5x29.

FREE (cover price: € 43.00)

Le nuove boutique. Moda e design

Donna. Immagini del femminile da Boldini a oggi

Pescara, Museo d'Arte Moderna Vittoria Colonna, October 20, 2005 - January 23, 2006.
Milano, 2005; paperback, pp. 120, ill., cm 23x27.
(Biblioteca d'Arte).

FREE (cover price: € 28.00)

Donna. Immagini del femminile da Boldini a oggi

Miss Bell. Un dipinto di Giovanni Boldini nel Museo delle raccolte Frugone di Genova

Edited by Giubilei M. F. and Maione S.
Illustrations by Scuderi L.
Montecatini Terme, 2007; paperback, pp. 40, ill., cm 15x21.
(Sogno Intorno all'Opera. 8).

FREE (cover price: € 12.00)

Miss Bell. Un dipinto di Giovanni Boldini nel Museo delle raccolte Frugone di Genova

Alta Moda, Grande Teatro

Torino, Venaria Reale, March 29 - September 14, 2014.
Edited by Capella M.
Torino, 2014; bound, pp. 184, b/w and col. ill., tavv., cm 17,5x25.

FREE (cover price: € 22.00)

Alta Moda, Grande Teatro

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Prai$e the Lord

Witty Kiwi Books

Texts by Jeremy Hutchison.
Design by Giulia Boccarossa.
English Text.
Torino, 2022; hardbound, pp. 96, ill., col. plates, cm 23x28.

EAN13: 9791280177179

Subject: Collections,Photography

Languages:  english text  

Weight: 1 kg


There is only one photograph of Sheikh Amadou Bamba, the founder of the Mouride sect of Islam. He is standing beside a wooden wall, wearing a white kaftan. It is sunny: he squints into the light. And although his face is partially concealed, his eyes are visible. He stares directly into the camera this portrait is probably the most reproduced image in Senegal. Orginally taken in 1917, it is replicated across every imaginable surface in the country.

This process of continual reproduction has seen Amadou Bamba's portrait transform from a representation into an icon;- from the prosaic to the sublime - is the central theme of Dani Pujalte's project. Initially tracing the passage of Bamba's image across the everyday surfaces of Senegal, his photographic inquiry expands to document a broader theme: the ongoing dialogue between commerce and faith, material culture and Sufi mysticism.

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