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DEAL OF THE DAY

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

cover price: € 160.00

Felice Palma. Massa 1583-1625. Collezione / Collection.

Total price: € 160.00 € 314.49 add to cart carrello

Books included in the offer:

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

FREE (cover price: € 160.00)

Felice Palma. Massa 1583-1625. Collezione / Collection.

Le botteghe del marmo

Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).

FREE (cover price: € 34.49)

Le botteghe del marmo

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).

FREE (cover price: € 30.00)

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Bronzetti e Rilievi dal XV al XVIII Secolo

Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.

FREE (cover price: € 90.00)

Bronzetti e Rilievi dal XV al XVIII Secolo

chiudi

Av Maillet d'Argent. Jacques Fornazeris Graveur et Éditeur d'Estampes, Turin - Lyon (Vers 1585 - 1619?)

Librairie Droz

French Text.
GENEVE 12, 2012; paperback, pp. 424, ill., cm 17x24.

ISBN: 2-600-01558-2 - EAN13: 9782600015585

Subject: Monographs (Painting and Drawing)

Period: 1400-1800 (XV-XVIII) Renaissance

Languages:  french text  

Weight: 1.36 kg


Jacques Fornazeris was active at the court of Savoy at the end of the 16th century, where he engraved portraits and topographical views in the manner of D. Alphani, A. Ardente, J. Kraeck as well as architectural works in the manner of A. Vitozzi. Starting in 1600, when he came to Lyon, and up until 1619, he worked at making not only engravings and drawings but also prints. Other than portraits, he engraved large title-frontispieces for works published by bookseller Horace Cardon and for a clientele supported by the city's Jesuit college. He was among the first, along with L. Gaultier and T. De Leu in Paris, to systematically utilize the burin technique for creating prints for books. He is, in this domain, an important link for understanding the transition from wood to copper engraving. His engravings - which evoke at the same time the art of the goldsmith, embroidery, and illumination - show the personal synthesis that he achieved, using Italian and Flemish models

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci