Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
2020-MMXX Max Pinckers
Pinckers Max
WittyKiwi Books
Design by Ilaria Miotto.
Art direction by Tommaso Parrillo.
English Text.
Torino, 2025; paperback, pp. 72, b/w ill., cm 24x29.
EAN13: 9791280177506
Subject: Photography
Period: 1960- Contemporary Period
Languages:
Weight: 0 kg
Multiple-angle photography is used as a tool to accentuate the sense of elongated time and deconstruct the illusion of space in pictures. Through subtle gestures, the images reveal that they are photographed at precisely the same instant by multiple analog cameras operated simultaneously.
A single moment in time perceived from different perspectives calls into question the myth of the "decisive moment" and the credibility of a singular, authoritative way of seeing. These meta-images refer to their own processes of perception and relationship to their observers.
Dancing around the fragility of a moment suspended in time, every point of view is unique, revealing something its counterpart cannot, reminding us that there is always something the photograph hides-that there are other angles to every story and different stories to every angle.










