L'ora dello spettatore. Come le immagini ci usano.
Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.
cover price: € n.d.
|
Books included in the offer:
L'ora dello spettatore. Come le immagini ci usano.
Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.
FREE (cover price: € n.d.)
Caravaggio. La Bottega del Genio
Roma, Museo Nazionale del Palazzo di Venezia - Sale Quattrocentesche, December 22, 2010 - May 29, 2011.
Edited by Falucci C.
Roma, 2010; paperback, pp. 118, b/w and col. ill., tavv., cm 24x28.
(Cataloghi Mostre. 49).
FREE (cover price: € 48.00)
Caravaggio. La Cappella Contarelli
Roma, Palazzo Venezia, March 10 - October 15, 2011.
Edited by M. Cardinali and De Ruggieri M. B.
Roma, 2011; paperback, pp. 150, 60 b/w ill., 60 col. ill., 60 b/w plates, col. plates, cm 24x28.
(Cataloghi Mostre. 50).
FREE (cover price: € 56.00)
Realism in the Russian Art of the Second Part of 20th Century From Private Collection, Moscow
Petrova
Palace Editions
Russian Museum in Saint Petersburg, July 4 - October 8, 2012.
English and Russian Text.
St.Petersburg, 2012; paperback, pp. 312, 186 col. ill., cm 30x30.
Subject: Painting
Period: 1800-1960 (XIX-XX) Modern Period
Places: Out of Europe
Languages:
Weight: 2.25 kg
The exposition includes the works by the classics of the Soviet art: Helium Korzhev, brothers Aleksey Tkachev and Sergey Tkachev, Valentin Sidorov, Vladimir Stozharov, Victor Ivanov, Aleksey Gritsay, Sergey Gerasimov, Pyotr Ossovskiy, Nikolai Andronov, Natalia Egorshina, Ivan Sorokin, Yuri Kugach alongside with the sculptures by Mikhail Pereyaslavez, Ivan Korzhev, Alexander Burganov, Ivan Tarasiuk. The exhibition that embrace the period since the midst of the 1950's till the 2000's must essentially extend the idea of the creative oeuvre of artists who are known to the viewers for the permanent exposition of the Russian Museum and put together the works by such masters as Andrei Kurnakov, Alexander Gritsay, Mikhail Kugach who did not participate in the exhibition projects of the Russian Museum earlier.
Baia grande. La pialassa Baiona ultima frontiera per una valle salmastra









