Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
|
Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Names of numbers. Vol. 4
Paolo Merloni
Produzioni Nero
English Text.
Roma, 2017; bound, pp. 60, ill., tavv., cm 24x33,5.
series: Names of numbers
ISBN: 88-97503-34-9 - EAN13: 9788897503347
Subject: Essays (Art or Architecture),Graphic Arts (Prints, Drawings, Engravings, Miniatures),Monographs (Painting and Drawing)
Period: 1960- Contemporary Period
Languages:
Weight: 0.39 kg
The series' aim is to consider drawing as a common language, often complementary or parallel to other forms of artistic or intellectual production. Each book presents 30 tables by a single author. The flexible nature of drawing, and its ability to manifest the representational capacity of the imagination, lead its uses to assume a variety of different forms: the drawings collected in this series alternately appear like diaries, studies, drafts, syntheses, memories, or even, simply, expressions of leisurely interest.
This fourth volume is dedicated to the work of Paolo Merloni (1974). Born in Bologna and raised in Rome, Merloni now lives in Paris, where he continues his career as an actor and painter. He has always used drawing primarily as a means of remembering and of fixing both impressions and states of mind. The 30 drawings collected in this book, dating from the early nineties to the very recent past, have been selected from his personal sketchbooks and can be seen as the graphic manifestation of both his inspirations and fears: from religious icons to historical figures to imaginary monsters.










