Beato Angelico
Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.
cover price: € 80.00
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Books included in the offer:
Beato Angelico
Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.
FREE (cover price: € 80.00)
Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento
Ospedaletto, 2007; bound, pp. 320, col. ill., col. plates, cm 25,5x29.
FREE (cover price: € 77.00)
Segni dell'Eucarestia
Edited by M. Luisa Polichetti.
Ancona, Osimo, Loreto Jesi, Senigallia, Fabriano e Metelica, 23 giugno - 31 ottobre 2011.
Torino, 2011; paperback, pp. 221, b/w and col. ill., cm 24x28.
FREE (cover price: € 32.00)
Names of numbers. Vol. 4
Paolo Merloni
Produzioni Nero
English Text.
Roma, 2013; bound, pp. 60, ill., tavv., cm 24x33,5.
series: Names of numbers
ISBN: 88-97503-34-9 - EAN13: 9788897503347
Subject: Essays (Art or Architecture),Graphic Arts (Prints, Drawings, Engravings, Miniatures),Monographs (Painting and Drawing)
Period: 1960- Contemporary Period
Languages:
Weight: 0.39 kg
The series' aim is to consider drawing as a common language, often complementary or parallel to other forms of artistic or intellectual production. Each book presents 30 tables by a single author. The flexible nature of drawing, and its ability to manifest the representational capacity of the imagination, lead its uses to assume a variety of different forms: the drawings collected in this series alternately appear like diaries, studies, drafts, syntheses, memories, or even, simply, expressions of leisurely interest.
This fourth volume is dedicated to the work of Paolo Merloni (1974). Born in Bologna and raised in Rome, Merloni now lives in Paris, where he continues his career as an actor and painter. He has always used drawing primarily as a means of remembering and of fixing both impressions and states of mind. The 30 drawings collected in this book, dating from the early nineties to the very recent past, have been selected from his personal sketchbooks and can be seen as the graphic manifestation of both his inspirations and fears: from religious icons to historical figures to imaginary monsters.









