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DEAL OF THE DAY

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Perugia, Galleria Nazionale dell'Umbria, March 4 - June 11, 2023.
Edited by Picchiarelli V. and Pierini M.
Milano, 2023; bound, pp. 592, 650 col. ill., cm 24x21.

cover price: € 40.00

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Total price: € 40.00 € 249.90 add to cart carrello

Books included in the offer:

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Perugia, Galleria Nazionale dell'Umbria, March 4 - June 11, 2023.
Edited by Picchiarelli V. and Pierini M.
Milano, 2023; bound, pp. 592, 650 col. ill., cm 24x21.

FREE (cover price: € 40.00)

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Michele Rocca e la pittura rococo a Roma

Brescia, 2004; bound in a case, pp. 310, b/w and col. ill., tavv., cm 24,5x31,5.

FREE (cover price: € 180.00)

Michele Rocca e la pittura rococo a Roma

Cucinare per gli amici

Translation by S. Mancuso.
Milano, 2012; clothbound, pp. 269, ill., cm 21x26,5.
(Gli Illustrati).

FREE (cover price: € 29.90)

Cucinare per gli amici

chiudi

The current state of russian folk icon painting

Libreria Editrice Viella

Edited by Foletti I., Palladino A. and Urbanová Z.
Illustrations by Foletti M.
Translation by Melker S. and Khakhanova M.
Roma, 2022; paperback, pp. 208, ill.
(Parva convivia. 10).

series: Parva convivia

EAN13: 9791254691786

Subject: Painting

Languages:  italian text  

Weight: 0 kg


In 1901 Nikodim Pavlovic Kondakov, one of the founders of art history in Russia and a specialist in medieval art, decided to undertake a surprising expedition. Driven by a desire to see firsthand the last places where devotional images - the famous icons - were produced in the traditional way, he braved the bumpy and uncertain roads of the Russian countryside. The book you hold in your hands, published for the first time in 1901 and now available to an international audience, is in fact much more than an account of this trip. The book guides the reader through the climate of pre-revolutionary Russia, as Kondakov travels in search of local pro-duction, seeking genuinely Orthodox manifestations of an art that he saw as a direct line stretching back to the medieval past. In his very personal style, Kondakov is ultimately on a mission to save the ancient art of icons, hoping to save an art form dwindling under competition from industrial production. Today, this book is more relevant than ever, questioning the roots of Russian culture, tradition, and its feeling of exclusivity.

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